Divinity Atlas

Sacred Correspondences

Divinity Atlas

Disputed Statements

Claims this atlas currently marks as unsettled or as tested and found false. A debated fact is one scholars hold competing positions on; a debunked one has been checked against the record and found not to hold. Both are kept in view rather than quietly smoothed over, with the reasoning that put each one where it stands.

3,338 statements marked Debated.

Artemis, Origin of the NameArtemis's name has no secure Greek etymology; leading proposals connect it to a Pre-Greek Anatolian source, though none commands consensus.

Artemis, Deities

Standing

Concerns Origin of the Name

Currently States Artemis's name has no secure Greek etymology; leading proposals connect it to a Pre-Greek Anatolian source, though none commands consensus.

Artemis's name has no secure Greek etymology. Leading proposals connect it to a Pre-Greek Anatolian source, and others to divergent Greek roots, but none commands scholarly consensus, and the question remains genuinely open among classicists.

Source The Oxford Classical Dictionary, 4th edition, Simon Hornblower, Antony Spawforth and Esther Eidinow (eds.)

Article 25 of the Constitution of India, Legal ChallengeExplanation II construes references to Hindus as including Sikhs, Jains and Buddhists. Sikh, Jain and Buddhist bodies object that a constitution naming them as distinct religions here treats them as sections of another.

Article 25 of the Constitution of India, Religious Legal Instruments

Standing

Concerns Legal Challenge

Currently States Explanation II construes references to Hindus as including Sikhs, Jains and Buddhists. Sikh, Jain and Buddhist bodies object that a constitution naming them as distinct religions here treats them as sections of another.

Source The Indian Constitution: Cornerstone of a Nation, Granville Austin

As ࡎ, A Rival System's AttributionThe script's ancestry is assigned either to a cursive form of Aramaic, the derivation favored by most script historians, or to the Parthian chancery script used in Sasanian era administrative documents.

As ࡎ, Alphabet Letters

Standing

Concerns A Rival System's Attribution

Currently States The script's ancestry is assigned either to a cursive form of Aramaic, the derivation favored by most script historians, or to the Parthian chancery script used in Sasanian era administrative documents.

According To The Mandaic script

Both derivations are held in the literature and neither has displaced the other. The Aramaic cursive camp points to the letterforms' overall resemblance to other late Aramaic cursive scripts of the region, including Nabataean and Syriac; the Parthian chancery camp points to specific letterforms, including certain medial and final forms, that resemble Pahlavi documentary hands more closely than any Aramaic cursive exemplar. No single find has settled the question, and Mandaic paleography treats it as open pending further comparative work.

Source Iranian Scripts for Aramaic Languages: The Origin of the Mandaic Script, Charles G. Haberl

Asclepius, Origin of the NameThe etymology of Asclepius's name has no settled explanation. Ancient and modern scholars have proposed a pre-Greek or Anatolian origin, a connection to the place name Epidaurus itself, and a derivation from a term for a bird or reptile associated with healing cults, but linguists have reached no consensus, and the name is generally treated as inherited from a source earlier than classical Greek rather than transparently Greek in formation.

Asclepius, Deities

Standing

Concerns Origin of the Name

Currently States The etymology of Asclepius's name has no settled explanation. Ancient and modern scholars have proposed a pre-Greek or Anatolian origin, a connection to the place name Epidaurus itself, and a derivation from a term for a bird or reptile associated with healing cults, but linguists have reached no consensus, and the name is generally treated as inherited from a source earlier than classical Greek rather than transparently Greek in formation.

Source Greek Religion, Walter Burkert

Ash ࡔ, A Rival System's AttributionThe script's ancestry is assigned either to a cursive form of Aramaic, the derivation favored by most script historians, or to the Parthian chancery script used in Sasanian era administrative documents.

Ash ࡔ, Alphabet Letters

Standing

Concerns A Rival System's Attribution

Currently States The script's ancestry is assigned either to a cursive form of Aramaic, the derivation favored by most script historians, or to the Parthian chancery script used in Sasanian era administrative documents.

According To The Mandaic script

Both derivations are held in the literature and neither has displaced the other. The Aramaic cursive camp points to the letterforms' overall resemblance to other late Aramaic cursive scripts of the region, including Nabataean and Syriac; the Parthian chancery camp points to specific letterforms, including certain medial and final forms, that resemble Pahlavi documentary hands more closely than any Aramaic cursive exemplar. No single find has settled the question, and Mandaic paleography treats it as open pending further comparative work.

Source Iranian Scripts for Aramaic Languages: The Origin of the Mandaic Script, Charles G. Haberl

Asham (The Reparation Offering), Standing as a Comparative CategoryUsed, but its validity as a comparative category is disputed

Asham (The Reparation Offering), Rituals

Standing

Concerns Standing as a Comparative Category

Currently States Used, but its validity as a comparative category is disputed

One position treats the two as complementary, the purification offering addressing contamination of the sacred precinct and the reparation offering addressing quantifiable encroachment on what belongs to it. Another treats the reparation offering as an older and looser category absorbed unevenly into the Priestly system, and reads the overlaps as the residue of that history rather than of a design. No ancient source states the difference in terms a modern reader finds sufficient, and the two classes appear together for a single occasion in several passages. What survives whichever position is taken are the concrete differences Leviticus itself preserves: the reparation offering is always a ram valued in silver rather than scaled to the offerer's means, its blood is dashed against the altar's sides rather than placed on its horns, and it is the only class valued in money before it is brought. Jacob Milgrom's Leviticus commentary, cited here, and the article on the line between asham and chatat set out both readings from that same evidence without resolving which one the procedural differences actually support, which is why asham's standing as a comparative category remains debated.

Source Leviticus 1-16: A New Translation with Introduction and Commentary, Jacob Milgrom

Asham (The Reparation Offering), Scholarly Standing DetailJacob Milgrom's Leviticus 1-16: A New Translation with Introduction and Commentary (Doubleday, 1991), the standard critical commentary on the priestly sacrificial system, sets out asham's distinguishing feature, the fixed financial remedy of restitution plus a further fifth accompanying the ram prescribed for unwitting misuse of sanctuary property or a false oath, while noting that where exactly the boundary runs between asham and the purification offering, hattat, is not settled in the priestly text or in the scholarship that has tried to systematise it.

Asham (The Reparation Offering), Rituals

Standing

Concerns Scholarly Standing Detail

Currently States Jacob Milgrom's Leviticus 1-16: A New Translation with Introduction and Commentary (Doubleday, 1991), the standard critical commentary on the priestly sacrificial system, sets out asham's distinguishing feature, the fixed financial remedy of restitution plus a further fifth accompanying the ram prescribed for unwitting misuse of sanctuary property or a false oath, while noting that where exactly the boundary runs between asham and the purification offering, hattat, is not settled in the priestly text or in the scholarship that has tried to systematise it.

Source Leviticus 1-16: A New Translation with Introduction and Commentary, Jacob Milgrom

Ashem Vohu, Origin PeriodGathic Avestan

Ashem Vohu, Mantras

Standing

Concerns Origin Period

Currently States Gathic Avestan

M. L. West's The Hymns of Zoroaster (I.B. Tauris, 2010) examines the linguistic evidence of the Gathas, the oldest Avestan hymns attributed to Zarathushtra, comparing their archaic grammar and vocabulary against other early Indo-Iranian texts to date the language itself to roughly 1500 to 1000 BCE. West sets that linguistic dating against the later Zoroastrian tradition's own chronology, which places Zarathushtra around 1000 to 600 BCE, a gap of centuries between what the language of the hymns supports and what the tradition transmitting them claims. Because the two lines of evidence, philological and traditional, do not converge on a figure, and a millennium separates the earliest and latest proposed dates, the atlas gives no single numeric window for these mantras' origin rather than presenting one scholarly position as settled fact.

Source The Hymns of Zoroaster, M. L. West

Ashem Vohu, Origin PeriodNo numeric window is given: the dating of Zarathushtra is contested across a millennium or more

Ashem Vohu, Mantras

Standing

Concerns Origin Period

Currently States No numeric window is given: the dating of Zarathushtra is contested across a millennium or more

M. L. West's The Hymns of Zoroaster (I.B. Tauris, 2010) examines the linguistic evidence of the Gathas, the oldest Avestan hymns attributed to Zarathushtra, comparing their archaic grammar and vocabulary against other early Indo-Iranian texts to date the language itself to roughly 1500 to 1000 BCE. West sets that linguistic dating against the later Zoroastrian tradition's own chronology, which places Zarathushtra around 1000 to 600 BCE, a gap of centuries between what the language of the hymns supports and what the tradition transmitting them claims. Because the two lines of evidence, philological and traditional, do not converge on a figure, and a millennium separates the earliest and latest proposed dates, the atlas gives no single numeric window for these mantras' origin rather than presenting one scholarly position as settled fact.

Source The Hymns of Zoroaster, M. L. West

Ashem Vohu, Origin PeriodAny figure would be a scholarly position dressed as a fact

Ashem Vohu, Mantras

Standing

Concerns Origin Period

Currently States Any figure would be a scholarly position dressed as a fact

M. L. West's The Hymns of Zoroaster (I.B. Tauris, 2010) examines the linguistic evidence of the Gathas, the oldest Avestan hymns attributed to Zarathushtra, comparing their archaic grammar and vocabulary against other early Indo-Iranian texts to date the language itself to roughly 1500 to 1000 BCE. West sets that linguistic dating against the later Zoroastrian tradition's own chronology, which places Zarathushtra around 1000 to 600 BCE, a gap of centuries between what the language of the hymns supports and what the tradition transmitting them claims. Because the two lines of evidence, philological and traditional, do not converge on a figure, and a millennium separates the earliest and latest proposed dates, the atlas gives no single numeric window for these mantras' origin rather than presenting one scholarly position as settled fact.

Source The Hymns of Zoroaster, M. L. West

Asherah, Attributes and IconographyInscriptions from Kuntillet Ajrud and Khirbet el-Qom, dated to around the eighth century BC, pair the name of Yahweh with the phrase "his Asherah," associating the two figures in a way not otherwise explained in the surviving biblical text. What that phrase actually refers to, a consort goddess paired with Yahweh, a cult object such as a wooden pole or sacred tree associated with his worship, or some combination of both, is one of the most actively debated questions in the study of ancient Israelite religion, and scholars remain divided between those readings with no interpretation commanding full consensus.

Asherah, Deities

Standing

Concerns Attributes and Iconography

Currently States Inscriptions from Kuntillet Ajrud and Khirbet el-Qom, dated to around the eighth century BC, pair the name of Yahweh with the phrase "his Asherah," associating the two figures in a way not otherwise explained in the surviving biblical text. What that phrase actually refers to, a consort goddess paired with Yahweh, a cult object such as a wooden pole or sacred tree associated with his worship, or some combination of both, is one of the most actively debated questions in the study of ancient Israelite religion, and scholars remain divided between those readings with no interpretation commanding full consensus.

Source Kuntillet Ajrud (Horvat Teman): An Iron Age II Religious Site on the Judah-Sinai Border, Ze'ev Meshel

Asherah, Historicity DetailScholars are divided on how to read the Kuntillet Ajrud and Khirbet el-Qom inscriptions blessing by Yahweh and his asherah. Some take asherah there as the goddess herself, implying a popular Israelite belief in a divine consort for Yahweh, while others read it as the cultic wooden pole or symbol bearing her name rather than the goddess in person, and the debate remains unresolved among biblical archaeologists.

Asherah, Deities

Standing

Concerns Historicity Detail

Currently States Scholars are divided on how to read the Kuntillet Ajrud and Khirbet el-Qom inscriptions blessing by Yahweh and his asherah. Some take asherah there as the goddess herself, implying a popular Israelite belief in a divine consort for Yahweh, while others read it as the cultic wooden pole or symbol bearing her name rather than the goddess in person, and the debate remains unresolved among biblical archaeologists.

Source Kuntillet Ajrud (Horvat Teman): An Iron Age II Religious Site on the Judah-Sinai Border, Ze'ev Meshel

Ashoka, Lifespan or Floruit Start Year-304

Ashoka, Historical Figures

Standing

Concerns Lifespan or Floruit Start Year

Currently States -304

Ashoka's reign, from 268 to 232 BCE, is fixed with reasonable confidence from his own edicts and cross-referenced Hellenistic synchronisms, but no inscription records his birth. Around 304 BCE is the commonly cited estimate, worked backward from his reign and reported age rather than drawn from a direct record.

Source Ashoka: The Search for India's Lost Emperor, Charles Allen

Ashvamedha, Origin Period Start Year-1400

Ashvamedha, Rituals

Standing

Concerns Origin Period Start Year

Currently States -1400

The rite is described in the Rig Veda's two horse-sacrifice hymns, its own text says, but the Rig Veda's own composition date is a long-running scholarly dispute: the dominant linguistic view places its main body between 1500 and 1200 BCE, some scholars citing Mitanni treaty references to Vedic gods around 1400 BCE, while others argue for a considerably earlier date on different textual and geological grounds. No single year commands agreement.

Source Agni: The Vedic Ritual of the Fire Altar, Frits Staal

Asmita, Origin PeriodNamed within the Yoga Sutra, a text whose own compilation and dating remain unsettled among scholars: traditional accounts place Patanjali well before the Common Era, while modern philological scholarship has proposed dates ranging from roughly the second century BCE to as late as the fourth or fifth century CE, with the text possibly compiled from older material rather than composed at a single sitting.

Asmita, Vices

Standing

Concerns Origin Period

Currently States Named within the Yoga Sutra, a text whose own compilation and dating remain unsettled among scholars: traditional accounts place Patanjali well before the Common Era, while modern philological scholarship has proposed dates ranging from roughly the second century BCE to as late as the fourth or fifth century CE, with the text possibly compiled from older material rather than composed at a single sitting.

Source The Yoga Sutras of Patanjali: A New Edition, Translation, and Commentary, Edwin F. Bryant

Asmodeus, LineageSome rabbinic and later Kabbalistic sources make Ashmedai a king over a whole demonic court with named subordinates and a demon wife, Lilith among the figures sometimes linked to that court in later, non-Talmudic folklore, while the Talmud itself is more restrained and treats him mainly as a single cunning individual rather than the head of a fully elaborated hierarchy; this atlas records the Talmudic account as the earliest attested and the courtly elaborations as later folkloric growth rather than settled doctrine.

Asmodeus, Mythical Creatures

Standing

Concerns Lineage

Currently States Some rabbinic and later Kabbalistic sources make Ashmedai a king over a whole demonic court with named subordinates and a demon wife, Lilith among the figures sometimes linked to that court in later, non-Talmudic folklore, while the Talmud itself is more restrained and treats him mainly as a single cunning individual rather than the head of a fully elaborated hierarchy; this atlas records the Talmudic account as the earliest attested and the courtly elaborations as later folkloric growth rather than settled doctrine.

Asphodel Meadows, Origin of the NameThe earliest source is Homer's Odyssey, Book Eleven, where the shade of Achilles is described walking a meadow of asphodel; philologists have long debated whether Homer's word asphodelos names the familiar white-flowered plant at all, since its original meaning was reportedly already unclear to later Greek readers, a genuine and still unsettled point rather than a simple botanical identification.

Asphodel Meadows, Realms

Standing

Concerns Origin of the Name

Currently States The earliest source is Homer's Odyssey, Book Eleven, where the shade of Achilles is described walking a meadow of asphodel; philologists have long debated whether Homer's word asphodelos names the familiar white-flowered plant at all, since its original meaning was reportedly already unclear to later Greek readers, a genuine and still unsettled point rather than a simple botanical identification.

Source Greek Religion, Walter Burkert

Áss, Meaning in the Attesting SourceDickins's Runic and Heroic Poems of the Old Teutonic Peoples (Cambridge University Press, 1915) records the sharpest divergence between the two rune poem traditions at Ass, the fourth rune of the Younger Futhark: the Norwegian poem reads it as a river mouth or estuary, a landscape feature, while the Icelandic poem reads the same rune as Ass, a god, understood by editors including Dickins to mean Odin specifically, one place name and one deity for an identical rune.

Áss, Younger Futhark Runes

Standing

Concerns Meaning in the Attesting Source

Currently States Dickins's Runic and Heroic Poems of the Old Teutonic Peoples (Cambridge University Press, 1915) records the sharpest divergence between the two rune poem traditions at Ass, the fourth rune of the Younger Futhark: the Norwegian poem reads it as a river mouth or estuary, a landscape feature, while the Icelandic poem reads the same rune as Ass, a god, understood by editors including Dickins to mean Odin specifically, one place name and one deity for an identical rune.

Source Runic and Heroic Poems of the Old Teutonic Peoples, Bruce Dickins (ed. and trans.)

Assembly of the Taoist Deities (Yongle Palace), Depicted SubjectA grand procession of Taoist deities, celestial officials, immortals, planetary and stellar spirits, and attendant guardian and musician figures, arranged hierarchically and moving toward the eight principal deities at the composition's center, who lead the assembly in paying homage to Yuanshi Tianzun. Sources consulted give different totals for how many figures the mural contains, ranging from 286 to roughly 292; the discrepancy appears to depend on whether a count covers only the primary west wall scene or the full mural across all four walls and the screen wall, since the west wall alone is separately reported at 286 figures across 403 of the mural's total 400 to 430 square meters.

Assembly of the Taoist Deities (Yongle Palace), Sacred Art & Iconography

Standing

Concerns Depicted Subject

Currently States A grand procession of Taoist deities, celestial officials, immortals, planetary and stellar spirits, and attendant guardian and musician figures, arranged hierarchically and moving toward the eight principal deities at the composition's center, who lead the assembly in paying homage to Yuanshi Tianzun. Sources consulted give different totals for how many figures the mural contains, ranging from 286 to roughly 292; the discrepancy appears to depend on whether a count covers only the primary west wall scene or the full mural across all four walls and the screen wall, since the west wall alone is separately reported at 286 figures across 403 of the mural's total 400 to 430 square meters.

China Daily's Shanxi edition gives 286, specified as the west wall alone (403 square meters of the mural's roughly larger total); other aggregated accounts consulted during research give 289, 290 or 292 for the full hall. Recorded as debated rather than resolved to a single number because no source consulted explains its own counting method precisely enough to reconcile the figures with confidence.

Source China Daily (Shanxi), "Yongle Palace," 2018

Asteya (Non-Stealing), Origin PeriodThe five mahavratas as a codified set of ascetic vows appear already in the Acaranga Sutra, among the oldest surviving Jain Agamas, with asteya named third, though the canon's traditional final redaction at the Council of Valabhi is placed in the fifth century CE, leaving how much of the text predates that redaction unsettled. Their classical formal definition is fixed later in Umasvati's Tattvartha Sutra, a text scholars date anywhere from the second to the fifth century CE.

Asteya (Non-Stealing), Virtues

Standing

Concerns Origin Period

Currently States The five mahavratas as a codified set of ascetic vows appear already in the Acaranga Sutra, among the oldest surviving Jain Agamas, with asteya named third, though the canon's traditional final redaction at the Council of Valabhi is placed in the fifth century CE, leaving how much of the text predates that redaction unsettled. Their classical formal definition is fixed later in Umasvati's Tattvartha Sutra, a text scholars date anywhere from the second to the fifth century CE.

Source The Jaina Path of Purification, Padmanabh S. Jaini