Divinity Atlas

Sacred Correspondences
Alphabet Letters

Siddham Dha 𑖠

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Dha is the fourth letter of the dental class of the Siddham syllabary, a voiced aspirated dental stop, breathy voiced. It is common in Sanskrit vocabulary, notably in the word dharma and in the many terms built on the same root, so a Buddhist text copied in Siddham uses the letter constantly. That is a useful corrective to the impression the table gives, where the fourth slot in each class holds sounds of very different frequency: the arrangement is by articulation, and the vocabulary distributes itself across it unevenly. The letter is written in full and not derived from the plain voiced stop. Its frequency in doctrinal vocabulary makes it one of the letters by which a reader recognises the subject of a page before reading it.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the voiced aspirated dental stop; fourth of the dental class 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Thirty-third letter of the Siddham order, fourth of the dental class 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Voiced aspirated dental stop, breathy voiced 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
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Dha: The Siddham Letter

Dha is the voiced aspirated dental, breathy voiced, and it fills the fourth slot of the dental class. Unlike the corresponding letters in the palatal and retroflex classes it is common, standing in a large family of frequent roots and in several grammatical formations, so it is written constantly.

That is a useful corrective to the impression the table gives. The fourth slot of each of the five classes holds a letter of the same phonetic description, and the five of them differ enormously in how often they are needed: one is met on every page and another may not be met at all. The arrangement is by articulation, and the vocabulary distributes itself across the grid unevenly, which is a fact about the language rather than a flaw in the analysis.

In Buddhist texts specifically the letter is unavoidable, because it opens the word dharma and the long list of terms built on the same root. A page of doctrinal writing carries it many times over, and its shape is among the ones a reader of such material recognises fastest.

Like the other three voiced aspirates it has a character of its own rather than being derived from the plain voiced stop, which keeps the structure of the class legible on the page.

Dharma, and the Words a Buddhist Text Repeats

Doctrinal writing uses a small technical vocabulary very heavily, and Buddhist Sanskrit is an extreme case. A handful of terms carry most of the conceptual weight, each generating compounds, derivatives and technical senses, and a page of argument may return to the same three or four roots dozens of times.

That has a visible effect on a Siddham page. The letters and clusters that open the central terms recur far above their frequency in the language at large, and a reader develops an eye for them: the shape at the front of the word for the teaching, the cluster at the front of the word for knowledge, the syllables that open the terms for suffering, impermanence and the absence of self. Identifying the subject of a page precedes construing it.

The word dharma is the hardest case for anyone reading in translation, because it has a wide range of senses even inside one school and a wider one across them: the teaching, the truth, a duty, a phenomenon, an element of experience. Translators have used a dozen English words for it and none of them covers the range.

The atlas records the term and its sources rather than choosing among the readings, and where the schools take genuinely opposed positions on what it means, that disagreement is itself part of the record.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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