Alphabet Letters
Siddham Pa 𑖢
Siddham Letters
Citation Formats
General Reference
APA Style
BibTeX
Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.
Pa is the twenty-first consonant of the Siddham syllabary and the head of the labial class, the last of the five. It is a voiceless unaspirated stop made by closing the lips, the outermost point of articulation, which is why its class stands last in an order running from the throat forwards. The Sanskrit phoneticians call the class oshthya, of the lips, and group the vowels u and long u with it, since those are formed with the lips as well. That cross-reference between the vowel table and the consonant table is one of the marks of a genuinely analytical description of speech. With the labial class the twenty-five stops are complete, and the series that begins at the throat with ka ends here at the lips.
Facts
Origins
Origin PeriodThe Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy Place of OriginNorthern India 3Tradition: Indian epigraphy Origin of the NameNamed by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians Sense of the Namethe voiceless labial stop; head of the labial class 4Tradition: The Siddham syllabary in its traditional order Identity
Script TypeConsonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1 PositionThirty-fifth letter of the Siddham order and head of the labial class 1Tradition: Sanskrit phonetics of the grammarians Attributions
Associated SoundVoiceless unaspirated labial stop, made by closing the lips 2Tradition: Sanskrit phonetics of the grammarians Attestation
Meaning in the Attesting SourcePreserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism Learn More
Pa: The Siddham Letter
Pa heads the labial class, the last of the five, made by closing the lips, which is the outermost point of articulation and therefore the last position in an order that runs from the throat forwards. With this class the twenty-five stops are completed.
The Sanskrit phoneticians call the class oshthya, of the lips, and they group the vowels u and long u with it, since those are formed with the lips as well. That cross-reference between the vowel table and the consonant table is one of the clearest signs that the arrangement is a genuine analysis of speech rather than a convenient ordering: the same articulatory categories are applied to both halves of the inventory, and the categories are the point.
The letter is common in the vocabulary, standing in a large number of roots including several that generate substantial families of derived terms, and it appears in a set of very frequent prefixes. It takes the full range of vowel marks and enters conjuncts freely, most often with the semivowel ra and with the sibilants.
Its position at the head of the class is fixed by the same rule as every other class head: voiceless, unaspirated, the plainest treatment of the sound made at that point.
From Throat to Lips: The Order of the Five Classes
The five classes of stops are ordered by where in the mouth the closure is made, and the sequence runs from the furthest back to the furthest forward: the soft palate, the hard palate, the roof of the mouth with the tongue curled back, the teeth, and the lips. Reciting the twenty-five letters in order is therefore a movement through the mouth in one direction, and a learner rehearsing the sequence is rehearsing the anatomy.
The scheme carries several claims that were not obvious and turned out to be right. That speech sounds can be classified by place of closure. That the same set of features, voicing and aspiration and nasality, applies at every place. That vowels and consonants can be described in the same terms, which is why the vowels are grouped with the classes they share an articulation with. Modern phonetics arrived at all of these independently, much later, and describes them with a similar grid.
What the Indian tradition did not have was a way of writing the analysis except as a list of letters, so the table is both the description and the alphabet. That fusion is the reason the order travelled: a script can be adopted for practical reasons and carry a theory with it, which is more or less what happened when the Siddham letters reached China and Japan.
Cross-Tradition Connections
Belongs to Tradition
Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.
Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.
Derived From
Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.
Originates in Language
The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.
Related To
The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.
Sources
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.
Sign in to dispute this or suggest a correction.
View At A Past Year
The atlas records no dated fact of its own for this entry, so there is no other year to choose.