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Sacred Correspondences
Alphabet Letters

Siddham Ya 𑖧

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Ya is the twenty-sixth consonant of the Siddham syllabary and the first of the four semivowels, which the phoneticians place after the twenty-five stops as a group of their own. It is the palatal semivowel, and the tradition pairs each semivowel with the vowel formed at the same point, so ya answers to i as va answers to u. That pairing is not a mnemonic but a claim about how the sounds are made, and it underwrites the rules by which Sanskrit turns one into the other at a word boundary. Siddham writes the four as a block, in the fixed order ya, ra, la, va. As a semivowel it enters into a great many conjuncts, and its reduced form inside those clusters is one of the shapes a learner of the script has to acquire separately.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the palatal semivowel; first of the four semivowels 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Fortieth letter of the Siddham order and first of the four semivowels 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Palatal semivowel, paired by the phoneticians with the vowel i 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
Learn More
Ya: The Siddham Letter

Ya is the palatal semivowel and the first of the four semivowels, which the phoneticians place after the twenty-five stops as a group of their own. The four are recited as a block, in the fixed order ya, ra, la, va, and they are learned that way.

The tradition pairs each semivowel with the vowel formed at the same point of articulation, so ya answers to i, ra to the vocalic r, la to the vocalic l, and va to u. That pairing is not a mnemonic. It is a claim about how the sounds are made, and it underwrites the rules by which Sanskrit converts one into the other at a word boundary: a word ending in i followed by a word beginning with a vowel produces this letter, constantly, on any page.

It is frequent in the vocabulary as well, standing in a large number of roots and in several very common suffixes, including the one that forms gerundives and the one that forms a large class of abstract nouns.

In conjuncts it takes a reduced form, and that form is one of the shapes a learner of the script has to acquire separately, since it does not resemble the full letter closely. The seed syllable of Maitreya is built on this letter, with the vowel u written beneath it.

Its pairing with the vowel i also means that a form containing this letter very often contained that vowel a step earlier in the derivation. Reading Sanskrit is in large part a matter of running such steps backwards, and the semivowels are among the clearest signals that a step has been taken at all.

The Semivowels as a Block

The four semivowels sit between the stops and the sibilants in the order, and the position is not a leftover. The phoneticians classified them as sounds made with a narrowing of the vocal tract that does not amount to a closure, which puts them between the stops, where the tract closes completely, and the sibilants, where the narrowing produces friction. The order of the table is a gradient as well as a tour of the mouth.

Their pairing with the vowels is the more consequential idea. Each semivowel is treated as the consonantal counterpart of a vowel formed at the same place, and Sanskrit grammar makes constant use of the relationship: vowels become semivowels before other vowels, semivowels become vowels in certain formations, and the strengthening grades that build so much of the vocabulary move between the two. A description that did not connect them would have to state the same rules twice.

For a reader this is one of the places where knowing the table pays. A form that looks unfamiliar is very often a familiar root with a vowel turned into its semivowel or the reverse, and recognising the pairing is what makes the underlying word visible. The four letters are learned as a block because they behave as one.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sacred To

Maitreya, Deities

The seed syllable of Maitreya, known in Japan as Miroku, is yu, the letter ya with the vowel u written beneath it.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.
Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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