This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
The Juxtaposition Cross of Detail is named here for Gate 62 and Gate 61. Its first article reads Gate 62 as detail, the organising of facts and particulars into an order that can be spoken, now the more exposed gate, and Gate 61 as the pressure to know the mystery behind existence. What it does not trace is where the four gates sit on the wheel itself, the Human Design mandala's division of its sixty four gates into four Quarters, and by that measure this cross draws one gate from each of the four.
Gate 62, the personality gate here, falls in the Quarter of Civilization, purpose fulfilled through form. Gate 61, its personality partner, falls in the Quarter of Mutation, purpose fulfilled through transformation. Behind them, Gate 3 falls in the Quarter of Initiation, purpose fulfilled through mind, and Gate 50 falls in the Quarter of Duality, purpose fulfilled through bonding.
So the organised fact and the pressing mystery the first article reads on this cross's surface answer to the arcs of form and transformation, while the ordering of new confusion and the guarded responsibility beneath them answer to the arcs of mind and bonding. The same pair, exchanged, is this cross's own reversal, the Juxtaposition Cross of Thinking, and, held instead in the Left Angle family, the Cross of Obscuration, both orderings; the Right Angle family carries the identical pair too, as the Cross of Maya, both orderings. Four gates, four different Quarters, no pair sharing an arc: this cross draws its whole reading from every corner of the wheel's own purpose rather than concentrated in one.