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Sukunabikona's Departure: The Millet Stalk to the Eternal Land

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Sukunabikona's Departure: The Millet Stalk to the Eternal Land

The same Kojiki that records Okuninushi's court failing to name the tiny stranger, already told through Kuebiko's identification of him, also records how that stranger eventually left. Sukunabikona and Okuninushi had been building and ordering the land together, healing and teaching agriculture, but the work was still unfinished when Sukunabikona chose to go. He is said to have climbed a stalk of millet growing at Cape Miho in Izumo; the slender stalk bent under even his famously small weight and then sprang back, flinging him across the sea to Tokoyo no Kuni, the eternal land beyond the visible world, and he never returned. Okuninushi is left in the text lamenting how he will ever finish the work of building the land alone, a grief the Kojiki treats as the direct cause of his search for a new divine partner. The image is deliberately small in scale, matching everything else told about Sukunabikona: no grand chariot or storm carries him off, only a bent stalk of the humblest cultivated grain, propelled by nothing more than his own negligible weight. It is the same scale of humor and reversal that runs through his identification by Kuebiko, the immobile scarecrow who alone knows what every mobile god could not, and it leaves Sukunabikona's exit from the narrative as unresolved as his entrance into it: a departure to a realm the Kojiki names but never describes, with no promise and no record of any return.

Cross-Tradition Connections

Article On

Sukunabikona, Figures
Source KojikiDonald L. Philippi (translator)
Sources
Kojiki
Donald L. Philippi (translator), University of Tokyo Press, 1968Sukunabikona's departure across the sea to Tokoyo no Kuni by way of a bent millet stalk at Cape MihoView the Source
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