This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
Tarot of the Divine's structure, built from myths and folktales across a dozen cultures, grew out of a personal choice Yoshitani has described directly: connecting tarot's own archetypal structure to a mixed race, multicultural identity in deciding which cultures' stories the deck would draw from, rather than treating the cultural range as a neutral curatorial exercise. The breakthrough that unlocked the rest of the seventy eight card deck, by Yoshitani's own account, was illustrating the Little Mermaid as the Fool, the single card that showed how the whole structure could work.
That deck was not a one time project. Yoshitani went on to create a companion Handbook explaining the mythological sourcing card by card, and a further title, Beneath the Moon, extending the same illustrated card format into new material. The commercial client list built around Disney, DC Comics and Netflix work sits alongside comics illustration specifically, Zatanna and the House of Secrets and I Am Not Starfire, graphic novels that carried the same illustration career into serialized long form storytelling rather than single card images.
Both strands, the graphic novel work and Beneath the Moon, extend Yoshitani's career past the single deck that made the initial, career defining leap from commercial concept art and video game illustration into published divination cards, the identity driven curatorial choice behind Tarot of the Divine's cultural range remaining the throughline connecting a card deck, a handbook, a second oracle title and ongoing comics work under one illustration career.