Deities
The Three Pure Ones
Also Known As Three Pure Ones
Chinese Deities
Citation Formats
General Reference
APA Style
BibTeX
The Three Pure Ones, Sanqing, are the highest deities of religious Daoism, the personified forms of the Dao itself and the source from which all other gods derive. They are the Celestial Worthy of Primordial Beginning, the Celestial Worthy of Numinous Treasure, and the Celestial Worthy of the Way and its Virtue, this last commonly identified with the deified Laozi. They are said to reside in the three highest heavens, the three Pure realms that give them their name, and to have emerged from the primal breaths at the beginning of the cosmos. In a Daoist temple they are the three seated figures enshrined at the centre, and they stand at the apex of the celestial hierarchy that the Jade Emperor administers below them, much as an abstract sovereign stands above a working government.
Facts
Function
Domain / Function Domain / Function Identity
GenderCollective / plural, not a single figure 1 History
Historical NoteIn a Daoist temple they are the three seated figures enshrined at the centre, standing at the apex of the celestial hierarchy that the Jade Emperor administers below them, much as an abstract sovereign stands above a working government. 1 Attributions
Mythic AssociationThe supreme trinity of Taoist cosmology, generally read as three successive emanations of the Tao itself, headed by the Yuanshi Tianzun, the Celestial Venerable of the Primordial Beginning. 1 Attestation
Veneration TodayActively venerated in a living tradition 1 HistoricityNot a historical person: a divine or other-than-human being 1 Belief
TheologyEmanationist: reality proceeds from an ineffable One 1 Origins
Origin of the NameSanqing means Three Pure Ones or Three Clarities, joining san, three, with qing, pure or clear, naming the three highest heavens in which they reside. 1 Cult
Attributes and IconographyIn a Daoist temple the Three Pure Ones are the three seated figures enshrined together at the center of the main hall, ranked above the Jade Emperor's own image in the hierarchy the temple lays out. 1 Learn More
The Three Highest Gods of Daoism
The Three Pure Ones, Sanqing, are the highest deities of religious Daoism, the personified forms of the Dao itself and the source from which all other gods are held to derive. They are the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun), the Celestial Worthy of Numinous Treasure (Lingbao Tianzun), and the Celestial Worthy of the Way and its Virtue (Daode Tianzun), and each is said to dwell in one of three pure heavens or realms at the summit of the Daoist cosmos. They represent, in the developed theology, the successive unfolding of the ineffable Dao into manifestation, the primordial origin, the sacred treasure or scripture that transmits it, and its expression in the world, so that the three together are less three separate gods than three aspects of a single ultimate reality. The Sanqing as a unified triad is itself the product of harmonizing originally separate scriptural revelations.
The Shangqing ("Upper Clarity") scriptures originated in visions received by the medium Yang Xi beginning in 364 CE, later transmitted to Mount Maoshan and expanded there by Tao Hongjing, founder of the Maoshan school; the Lingbao ("Numinous Treasure") scriptures, from which Lingbao Tianzun draws his name, developed as a related but separate revealed corpus in the following generations, incorporating Buddhist as well as earlier Daoist material. Bringing the deities associated with these traditions together with the Daode Tianzun of the older Laozi cult into one triad presiding over three heavens was a later systematizing move, so the apparently ancient Three Pure Ones scheme is in fact a synthesis of originally distinct lineages of revealed scripture.
Laozi Enthroned Among Them
The most historically significant of the three is the Celestial Worthy of the Way and its Virtue, who is identified with Laozi, the sage traditionally regarded as the author of the Daodejing, in his exalted, deified form as Taishang Laojun, the Most High Lord Lao. Here the process by which Daoism transformed its founding philosopher into a supreme god can be seen at its height: the human sage of the classic text is raised to a cosmic deity, an eternal manifestation of the Dao who descends into the world in different ages to teach.
The title of the third Pure One, naming the Way (Dao) and its Virtue or Power (De), directly echoes the title of the Daodejing itself. The Three Pure Ones sit at the apex of the crowded Daoist pantheon, above the Jade Emperor who administers the cosmos as its celestial sovereign, and they are enshrined together in the main halls of Daoist temples. They express the effort of religious Daoism to give the abstract, nameless Dao of the philosophers a form that could be worshipped, to make the ultimate principle of the universe into presences before whom the faithful could stand.
Correspondences & Relations
Cross-Tradition Connections
Depicted In
The mural's central subject is a hierarchical procession of deities paying homage to Yuanshi Tianzun, one of the Three Pure Ones and the highest deity in the Taoist pantheon depicted here, surrounded by the full assembly of subordinate celestial officials and spirits.
Related To
The Jade Emperor is sovereign administrator of the celestial bureaucracy, set within a larger framework of yet higher deities, the Three Pure Ones, who stand at the apex above him.
Worshipped In
Sources
1. The Encyclopedia of Taoism
Fabrizio Pregadio (ed.), Routledge, 2008s.v. Sanqing / Three Pure Ones; the highest Daoist deitiesView the Source Taoism and the Arts of China
Stephen Little with Shawn Eichman, The Art Institute of Chicago, 2000Catalogue, the celestial hierarchy
Taoism and the Arts of China
Stephen Little with Shawn Eichman, The Art Institute of Chicago, 2000On the Sanqing and the Daoist pantheon
God of the Dao: Lord Lao in History and Myth
Livia Kohn, University of Michigan Center for Chinese Studies, 1998On the deification of Laozi as Taishang Laojun
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.
Sign in to dispute this or suggest a correction.
View At A Past Year
The atlas records no dated fact of its own for this entry, so there is no other year to choose.