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Ares

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In Greek narrative tradition Ares is the son of Zeus and Hera, embodying the brutal and chaotic aspect of warfare in contrast to his half sister Athena's disciplined strategy. Homer calls him hateful even to his own father, and he appears repeatedly as a god feared and disliked by the other Olympians.

Facts
History
Historical NoteSourced to the subject's own account
In the Odyssey, the sun god Helios catches Ares in a secret affair with Aphrodite, wife of Hephaestus, and reports it; Hephaestus forges an unbreakable net that traps the pair in the act and summons the other gods to witness their disgrace before releasing them. 2
Life
Office HeldSourced to the subject's own account
God of war in its violent and chaotic aspect, distinguished from Athena's strategic and lawful warfare 2
Place of Activity
Greek tradition located his homeland in the north, in Thrace, a frontier region the Greeks associated with warlike peoples and treated as fittingly his own before any settled Olympian residence. 1
Position Profile
Key Text
Homeric Hymn to Ares 1
Identity
Canonical Reference
In Iliad Book 5, wounded by the mortal Diomedes with Athena's aid, Ares cries out as loud as nine or ten thousand men in battle, a scene Homer uses to underscore that even a god's pain is real, if not his mortality. 1
Gender
Male 1
Attestation
Historicity
Not a historical person: a divine or other-than-human being 1
Status
Status Within the TraditionSourced to the subject's own account
Unlike Athena's central place in Athenian civic religion, Ares received comparatively little formal cult across most Greek city-states; ancient sources single out Sparta, a famously militaristic society, as one of the few places to honor him with any real prominence. 2
Practice
Lineage
Son of Zeus and Hera 1
Attributions
Mythic AssociationSourced to the subject's own account
His epithets include Enyalios, warlike, and Androphonos, man slaying; his attributes are the helmet, shield and spear. The Romans identified him with Mars, though Mars held a far more dignified place in Roman state religion than Ares ever held among the Greeks. 2
Scholarship
How Its Legacy Is Contested
The Homeric Hymn to Ares names him father, by Aphrodite, of Harmonia, a myth of offspring that pairs his raw martial force with the concord and order Harmonia personifies, a pairing many ancient sources read as pointed irony given his own reputation as the least loved of the Olympians. 1
Veneration
Patronage
The Homeric Hymn to Ares invokes him as helper of mortals and ally of Zeus's justice, patron of the raw courage and physical violence of the battlefield, a patronage the same hymn tradition sets apart from Athena's disciplined, strategic conduct of war. 1
In Other Languages (39 names)
  • آريز
  • اريس
  • এৰিচ
  • آرئس
  • Арэс
  • Арес
  • আরেস
  • Arés
  • Άρης (μυθολογία)
  • Areso
  • آرس
  • Arès
  • Airéas
  • Ares (deus)
  • ארס (מיתולוגיה)
  • एरीस
  • Arész
  • Արես
  • アレース
  • არესი
  • 아레스
  • Arês
  • Arėjas
  • Arejs (dievs)
  • അറീസ്
  • ॲरीज
  • အဲရီးဇ်
  • Ares (mythologie)
  • ਆਰੇਸ
  • Aṛiṣ
  • ඒරිස්
  • Ares (boh)
  • Aresi
  • எரெசு
  • แอรีส
  • آریس
  • 阿瑞斯
  • 阿雷斯
  • ꯑꯦꯔꯤꯁ
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Caught in Hephaestus's Net: Ares, Aphrodite and the Laughter of the Gods

Ares's affair with Aphrodite, Hephaestus's wife, is sung within the Odyssey itself, by the Phaeacian bard Demodocus at the court of King Alcinous, as entertainment for the shipwrecked Odysseus. Helios, the sun, sees the two together and reports the affair to Hephaestus, who says nothing but goes to his forge with his heart set on revenge. He hammers out a net of chains finer than a spider's web and invisible to the eye, anchors it around his own marriage bed, and hangs its loops from the roof beams above, then announces a journey away from home. Ares comes to Aphrodite as soon as he is gone, and the net drops, binding the pair together too tightly to move. Hephaestus returns and calls the male gods to witness the couple caught in the act, an indignity the poem says the goddesses stayed away from out of modesty. The male gods, however, only laugh, and Apollo turns to Hermes and asks, only half seriously, whether he would accept being bound in such chains himself for the chance to lie beside golden Aphrodite; Hermes answers that he would welcome three times the chains and every god and goddess watching, if only he could have her, an answer that sets off a fresh round of laughter among the gods. Poseidon alone does not laugh, and has to intervene seriously, promising to guarantee payment himself before Hephaestus will loose the net. Freed, Ares flees to Thrace, and Aphrodite withdraws to her own sanctuary at Paphos in Cyprus, where the poem says the Graces bathe her and anoint her with the same fragrant oil the gods themselves wear, restoring the dignity the net had stripped from her. The bard's song closes on the gods still laughing at the god of war caught, for once, unable to fight his way out of anything.

A God Almost Without an Altar: Ares's Meager Cult

Ares is one of the rare Olympians whose entity record on this atlas carries no principal cult centre fact at all, and that absence is not an oversight in the data, it reflects the ancient record itself. Scholarship on Greek religion is consistent that Ares had very few temples and shrines anywhere in Greece and correspondingly few cults devoted to him, a contrast made sharper by his later Roman counterpart Mars, who held one of the most central places in Roman state religion, protector, father figure and moral guide to the city, with major temples including Augustus's Mars Ultor in the heart of Rome itself. Greek religion never extended Ares anything like that civic weight; the Greeks associated him with war's cruelty and chaos rather than its discipline and strategy, the quality Athena embodied instead, and Homer has Zeus call his own son the most hateful god on Olympus. So Ares carries a double absence rather than a single one. Where most of the Greek pantheon can be said to have once had a real, substantial cult that simply has no continuous modern practice, Ares's ancient worship was itself already marginal, and what little existed ended in the same collapse of Greek temple religion that ended every other Olympian's cult.

Cross-Tradition Connections

Associated With

This source names Ares directly: "Verethragna as Artagnes-Herakles-Ares."

This source names Ares directly: "frieze naming Poseidon, Amphitrite, Ares, Aphrodite, Apollo, Athena, Artemis, Hermes, Maia, the Moirai, Nereus, Doris and Okeanos, plus the separate scene of Hephaistos riding a mule back to Olympus."

This source names Ares directly: "the messenger goddess Iris; Poseidon, Ares, Aphrodite, Apollo, Athena, Artemis and Hermes are named among the deities present, alongside the sea deities Amphitrite, Nereus, Doris and Okeanos and..."

Hera, Deities

This source names Hera directly: "tradition Ares is the son of Zeus and Hera, embodying the brutal and chaotic aspect of warfare in contrast to his half sister Athena's disciplined strategy."

Source The Homeric HymnsAnonymous; ascribed in antiquity to Homer
Zeus, Deities

This source names Zeus directly: "narrative tradition Ares is the son of Zeus and Hera, embodying the brutal and chaotic aspect of warfare in contrast to his half sister Athena's disciplined strategy."

Source The Homeric HymnsAnonymous; ascribed in antiquity to Homer

Child Of

Hera, Figures

Ares's own description: "the son of Zeus and Hera."

Source The Homeric HymnsAnonymous; ascribed in antiquity to Homer
Zeus, Figures

Ares's own description: "the son of Zeus and Hera."

Source The Homeric HymnsAnonymous; ascribed in antiquity to Homer

Same Figure Other Register

Ares, Deities
Sources
1. The Homeric Hymns
Anonymous; ascribed in antiquity to Homeron the Homeric Hymn to AresView the Source
2. Ares (Wikipedia)
Wikipedia contributors, Wikipedia, 2026on Ares's epithets, attributes, the Mars identification and the Odyssey episode with AphroditeView the Source
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