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Savitri
Also Known As Savitri and Satyavan The pair the tale is usually cited by. · Satyavan
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Savitri is the princess of the Mahabharata tale in the Vana Parva who chooses Satyavan for her husband knowing from the sage Narada that he has one year to live, and marries him anyway. On the appointed day she follows Yama, the god of death, as he carries her husband soul away, and will not turn back; she answers him with such courtesy and such good argument on dharma that he grants her boon after boon on condition she asks nothing for Satyavan life, until she asks for sons by her husband and Yama, having granted it, must return him. The story is recited at Vat Savitri, kept by married women in western and northern India. She is named for the deity Savitr, to whom her parents prayed, but she is not that deity and the two rows are distinct.
Facts
Identity
Canonical ReferenceHer story is told within the Vana Parva, the third book of the Mahabharata, recounted to Yudhishthira by the sage Markandeya as an example of a wife whose devotion and quick wit allow her to reclaim her husband Satyavan from Yama, the god of death, through her own argument rather than force. 1 Life
Place of ActivityThe story unfolds in the forest hermitage where the exiled, blinded King Dyumatsena, Satyavan's father, has taken refuge, the same forest where Yama comes to claim Satyavan's life. 1 Attestation
HistoricityLegendary: known from narrative tradition, not the historical record 1 Attributions
Mythic AssociationShe follows Yama when he takes her husband and argues him back out of death 1 TraditionMarried Hindu women in western and northern India observe the fast of Vat Savitri, worshipping the banyan tree and reciting her story as a model for wishing their husbands long life, a living festival practice rather than only a text preserved in the epic. 2 Practice
LineageDaughter of King Ashvapati of Madra, and wife of Satyavan 1 Position Profile
Key TextThe Mahabharata, in the third book 1 Origins
Origin of the NameHer name derives from Savitr, the Vedic solar deity to whom her father Ashvapati had prayed for eighteen years before her birth, so that the daughter carries the name of the god who granted her rather than being an incarnation of that deity herself. 2 Publications
Notable PublicationSri Aurobindo's book length epic poem Savitri, A Legend and a Symbol, left unfinished at his death in 1950 and among the longest poems in English, reworks her story as a symbolic account of the soul's conquest of death rather than a retelling of the original Mahabharata episode. 2 Learn More
The Argument She Wins against Death
The tale is told to Yudhishthira in the forest books, in answer to a question about whether any woman ever equalled Draupadi in devotion, and its whole force lies in the dialogue rather than in any miracle. Savitri prepares by keeping a fast of three nights before the appointed day, and on the day itself she goes with her husband to cut wood and holds him as he dies.
When Yama takes the soul and walks away, she follows. He tells her to turn back; she answers that walking seven steps beside someone makes them a friend, that the good are worth following, and that a wife's duty is where her husband is. He is pleased and grants her a boon, excluding her husband's life. She asks for the restoration of her blind father in law's sight, and follows again. He grants another; she asks for the return of his kingdom, and follows again. She asks for a hundred sons for her own father, and follows again. Each time she pays for the boon with a further short speech on righteousness that Yama cannot fault.
Then she asks for sons by Satyavan. Yama grants it, and the trap is shut: she has not asked for her husband's life, and he cannot give her children by a dead man without giving the man back. He returns the soul, and she carries it back to the body before dawn.
The story is therefore not about a woman softening death. It is about a woman conducting a legal argument in front of the judge of the dead and winning it on the terms he set.
The Banyan Vow, and a Modern Epic
The observance kept in Savitri's name is centred on a tree. Married women fast, gather at a banyan, wind unspun cotton thread around the trunk while circling it, and hear the story recited. The banyan is chosen because Satyavan died beneath one and because the tree, which drops roots from its branches and spreads without dying back, is the standing Indian image of a life that does not end.
The timing splits regionally, which is a useful reminder that a single festival name can sit on two calendars. In Maharashtra, Gujarat and parts of the south the observance falls on the full moon of the month Jyeshtha and is called Vat Purnima. In much of the north and east it is kept a fortnight earlier, on the new moon of the same month, as Vat Savitri Amavasya. The difference follows the two conventions for where a lunar month begins, and both communities are keeping the same day by their own reckoning.
The story has also had a substantial modern life. Sri Aurobindo worked for decades on a long blank verse poem, Savitri: A Legend and a Symbol, published in full in 1951, which takes the episode as the frame for an account of consciousness descending into death and returning. It runs to some twenty four thousand lines and is the longest poem written in English by an Indian author. That a short forest tale about a wife who out argued Yama could carry that weight says something about how much the original leaves unexplained.
Cross-Tradition Connections
Associated With
She follows Yama and argues him out of her husband soul.
This source names Savitri directly: "open-access collection API record for "Savitri," a lithograph from Calcutta, West Bengal, India, ca."
This source names Savitri directly: "Savitri: A Legend and a Symbol, Sri Aurobindo's 1951 epic poem published by the Sri Aurobindo Ashram, retells the Mahabharata story of Savitri as a spiritual symbol within his own philosophical..."
Attested In
Belongs to Tradition
Depicted In
The Met's own title for this lithograph is the subject's name alone, "Savitri," and the museum's own catalog note identifies her explicitly as a figure from Hindu mythology, a direct identification rather than a bare thematic tag.
Not Equivalent To
Savitri the princess of the tale is not Savitr the Vedic solar deity, though she is named for him. The two names are one letter apart and the confusion is standard.
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