Divinity Atlas

Sacred Correspondences
Hexagram Lines

The Wanderer, Line 4

The Wanderer

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The wanderer, in a temporary resting place, obtains a means of self defense, yet the heart is not at ease, since even a measure of security while traveling cannot fully remove the underlying unease of being far from home.

Facts
Identity
Position
334 of 384 1
Chinese Correspondences
Yin or Yang
Yang 1
Lines
Traditional Line Numeral
Nine 1
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The Line Statement and The Wanderer Finding a Resting Place

The fourth line of The Wanderer (King Wen 56) is drawn as yang, the numeral nine in the old divination manuals. James Legge's translation renders the line as the wanderer finding a resting place and the means to travel, yet his heart is not at ease. The image sits inside a hexagram whose judgment as a whole concerns some small attainment and progress for the stranger who is firm and correct as he travels, and this line supplies one stage of that larger reading rather than a complete statement on its own.

Structurally the line stands at the lowest place of the upper trigram Li, fire in Legge's readings of the eight trigrams, while the lower trigram of the hexagram is Gen, mountain in the same traditional set of images. The Great Symbolism of the hexagram reads fire above a mountain; the superior man uses wisdom and caution in punishments, and does not let litigation drag on, and the fourth line takes its place inside that combined picture of Gen below and Li above.

Read on its own the line neither opens nor closes the hexagram's argument. It marks the point where Li is either forming (in the lower trigram) or completing itself (in the upper), and later interpreters treat its image, The Wanderer Finding a Resting Place, as the concrete case through which the hexagram's abstract judgment becomes visible in a single situation rather than a general principle.

The Line Approaching the Ruler in The Wanderer

As a divinatory line, nine at the fourth place of The Wanderer reads within the hexagram's overall concern with some small attainment and progress for the stranger who is firm and correct as he travels. The line occupies a place that does not match its own nature in the classical doctrine that odd places favour a firm, yang line and even places favour a yielding, yin line. Its own text, that the wanderer finding a resting place and the means to travel, yet his heart is not at ease, is the particular fortune assigned to this one stage of the situation, not to the hexagram as a whole.

The fourth line corresponds by classical convention with the first line, and the two correspond here, since one line is yin and the other yang. Read together with the trigram it belongs to, Li in the upper position of the figure, the line marks the first word of the upper trigram, close enough to the ruling fifth line to be shaped by it, one stage in the six stage movement the hexagram traces from its first line to its last.

A change at this line, from yang to its opposite, is the mechanism the tradition uses to move from one hexagram to another. Flipping the fourth line of The Wanderer turns Li into Gen while the other trigram, Gen, stays as it is, which yields The Wanderer's changing partner, Keeping Still (King Wen 52), the hexagram this line is recorded as transforming into.

Cross-Tradition Connections

Transforms Into

Sources
1. The Sacred Books of the East, Volume XVI: The Yi King
James Legge (trans.), Clarendon Press, Oxford, 1882Line position and yin or yang polarity for King Wen 56 line 4. The wording of the line text itself has no recorded source.View the Source
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