Divinity Atlas

Sacred Correspondences
Mythical Creatures

Griffin

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The griffin is one of the oldest attested composite creatures, lion-bodied with the head and wings of an eagle, and it belongs first to the ancient Near East. Versions appear in Elamite, Mesopotamian, Levantine and Egyptian art in the third and second millennia BCE, and it passes to the Aegean, where griffins flank thrones in Minoan and Mycenaean painting, before the Greeks give it a story. In Herodotus and later writers griffins guard gold in the far north and fight the one-eyed Arimaspians for it. Its afterlife is heraldic rather than mythological: from the twelfth century it becomes a standard charge on European arms, where it signifies vigilance and combined courage.

Facts
Attestation
Historicity
Legendary: known from narrative tradition, not the historical record 1
Legendary
Meaning in the Attesting Source
Fights the one-eyed Arimaspians for the gold 1Tradition: Pliny the Elder, Naturalis Historia
Meaning in the Attesting Source
Four-footed bird of the far north that guards gold 1Tradition: Pliny the Elder, Naturalis Historia
Meaning in the Attesting Source
Gold-guarding is the constant element of every ancient notice 1Tradition: Pliny the Elder, Naturalis Historia
Origins
Place of Origin
Pliny locates griffin lore in the gold bearing regions north of the Black Sea, describing the creatures as the mythical guardians against one eyed raiders called Arimaspians who tried to steal their gold. 1
Origin of the Name
The Greek grype and the Latin gryphus both mean hooked, naming the creature for its curved beak and claws rather than for any lion or eagle ancestry. 2Tradition: The Oxford Classical Dictionary
Function
Domain / Function
The griffin combines the body of a lion with the head and wings of an eagle, in classical tradition guarding gold and precious stones, particularly in the far northern lands associated with the Scythians and Arimaspians. 1
Cult
Attributes and Iconography
The best known Aegean image of the griffin is the fresco flanking the throne in the Throne Room at Knossos, where a pair of griffins stand as guardians beside a royal or divine seat rather than in combat, a role distinct from their later gold-guarding function in Greek writers. 2Tradition: The Oxford Classical Dictionary
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Older Than Greece

The griffin belongs first to the ancient Near East, not to Greece. Lion-bodied and eagle-headed, it appears in Elamite, Mesopotamian, Levantine and Egyptian art across the third and second millennia BCE, on cylinder seals, palace reliefs and ivories, long before it is named in Greek. The Greek gryps enters literature through the lost poem of Aristeas of Proconnesus and is reported by Herodotus, who places griffins in the far north guarding gold and warring with the one-eyed Arimaspians, a story he transmits while noting he does not vouch for it. In this early form the griffin is above all a guardian, of treasure and of sacred space, and that guardian role, rather than any single adventure, is the constant that carries across cultures and centuries.

Medieval Europe inherited the guardian role but gave it a new frame. Bestiaries and heraldic writers read the griffin as a union of the two ruling creatures of earth and sky, the lion's body and the eagle's head and wings, and took that union itself as an emblem of vigilance, courage and a divine or princely authority spanning both realms; the figure became a common charge in European heraldry from the twelfth century onward, signifying valour and protection rather than the treasure-hoarding it does in Herodotus. A separate medieval legend, unconnected to the classical guardian tradition, had Alexander the Great attempt to fly to heaven harnessed to a pair of griffins, an image that circulated widely in illuminated manuscripts and church carvings quite apart from the Scythian gold-guarding beast.

The Gold, the Nest, and a Modern Fossil Hypothesis

Two later developments should be kept apart from the ancient record. The first is medieval and Christian: writers read the griffin allegorically, its lion and eagle natures made a figure of Christ's dual kingship, while heraldry adopted it as a charge signifying vigilance and valour. The second is modern and contested.

The folklorist and historian of science Adrienne Mayor, in The First Fossil Hunters (2000), proposed that the Greek griffin image was shaped by nomads encountering the fossil beds of Central Asia, where the beaked, four-legged skeletons of Protoceratops and its relatives lie near gold-bearing ground, a "geomythology" that would explain the beak, the four legs and the gold in one stroke. It is an elegant hypothesis and it remains a hypothesis: the griffin image is attested in the Near East long before, and independently of, any Scythian fossil field, and the ancient pedigree and the fossil conjecture are not the same claim.

Cross-Tradition Connections

Associated With

Apollo, Deities

In Greek tradition griffins were sacred to Apollo, drawing his chariot and guarding the gold of the far north against the one eyed Arimaspians.

Source Encyclopaedia Britannica (online academic reference)Encyclopaedia Britannica editors
Nemesis, Deities

Griffins accompany Nemesis in Greco Roman iconography, often turning her wheel, an image carried into Roman funerary art.

Source Encyclopaedia Britannica (online academic reference)Encyclopaedia Britannica editors

Belongs to Tradition

Sources
1. Naturalis Historia (Natural History)
Pliny the Elderbk. 10View the Source
2. The Oxford Classical Dictionary, 4th edition
Simon Hornblower, Antony Spawforth and Esther Eidinow (eds.), Oxford University Press, 2012Entry on Griffin (gryphes), etymologyView the Source
2. The Oxford Classical Dictionary, 4th edition
Simon Hornblower, Antony Spawforth and Esther Eidinow (eds.), Oxford University Press, 2012Entry on Griffin (gryphes), Aegean and Near Eastern iconographyView the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005Entry on Near Eastern iconography: composite guardian creatures and their transmission to the Aegean
Quote, Entry on Near Eastern iconography: composite guardian creatures and their transmission to the Aegean
Lion-bodied eagle-headed creatures appear in Elamite, Mesopotamian and Levantine art well before their appearance in Greek contexts, and pass to the Aegean through Minoan and Mycenaean painting.
View the Source
Histories
HerodotusHistories Book 4, the griffins guarding gold and the ArimaspiansView the Source
The First Fossil Hunters: Paleontology in Greek and Roman Times
Adrienne Mayor, Princeton University Press, 2000the fossil-observation (geomythology) argument for the griffin image
Encyclopaedia Britannica (online academic reference)
Encyclopaedia Britannica editors, Encyclopaedia Britannica, Inc., 2024View the Source
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