Divinity Atlas

Sacred Correspondences
Palm Lines

Girdle of Venus

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Origin 1100 to 1200

The Girdle of Venus is a minor line in Western palmistry, curving between the middle and little fingers above the Heart line, and unlike the four principal lines, the Life, Head, Heart and Fate lines, it is not present on every hand, which chiromancy treats as significant in itself. Where it appears, palmists read it as a sign of heightened emotional sensitivity and intensity, sometimes read together with artistic or sexual expressiveness, in contrast to the broader, more general reading given to the Heart line beneath it. Its presence or absence, and whether it appears broken into segments or as a single unbroken curve, are both treated as meaningful distinctions in traditional hand reading. As with the rest of palmistry, this is a traditional interpretive practice rather than a finding of medical or physiological science.

Facts
Origins
Origin Period
1100 to 1200 1Tradition: Medieval Latin chiromancy
Origin PeriodSourced to the subject's own account
1843 to 1859 2Tradition: French chirognomy and chiromancy (d'Arpentigny and Desbarrolles)
Origin Period
Named within twelfth-century medieval Latin chiromancy, and given its modern form in the French chirognomy of Desbarrolles and d'Arpentigny between 1843 and 1859. 1
Attributed Author / CompilerSourced to the subject's own account
Casimir Stanislas d'Arpentigny (La Chirognomonie, 1843) and Adolphe Desbarrolles (Les Mysteres de la Main, 1859). The named lines and their readings as the atlas records them are the French nineteenth-century system, given its popular English form by Cheiro. 2
Origin of the NameSourced to the subject's own account
Named for the planet Venus, whose mount is the ball of the thumb, although the girdle itself arcs above the heart line at the top of the palm and does not touch that mount. The name records the quality the tradition assigns it, Venusian feeling, and is astrological in origin like the rest of the vocabulary. 3
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The Girdle of Venus

The Girdle of Venus is a curved line or set of lines lying above the heart line and arching below the fingers, present in some hands and not in others. The tradition reads it for sensitivity, refinement, strong emotional responsiveness and, in the older and more moralising literature, for excess of feeling and sensuality. The moralising is worth noting, because much of nineteenth-century palmistry was written within a particular set of social attitudes and its readings of women's hands and of anything to do with sexuality reflect them; a modern reader encountering the older texts should expect that and discount accordingly. Contemporary palmistry has generally softened these readings, which is itself evidence that the interpretations track the culture of the reader rather than anything in the hand.

The line is also called the Ring of Venus, and the moralising reading noted above has a specific and traceable source: the American palmist William G. Benham, whose The Laws of Scientific Hand Reading (1900) devotes a chapter to the Girdle's supposed connection to nervous temperament, holding that a single unbroken Girdle points to strong appetite rather than nervous illness, while a broken or fragmented one signals greater nervousness, a tendency toward hysteria and a more retiring disposition. Benham's book was reprinted well into the twentieth century, which is one reason its Victorian assumptions about temperament, and especially about women's temperament, persisted in palmistry manuals long after they had been abandoned elsewhere. No line on the hand has been shown to correlate with any diagnosable nervous or psychiatric condition, and the Girdle should be read, if at all, as a traditional attribution rather than an assessment of anyone's mental state.

What the Girdle of Venus Actually Is

The lines a chiromant reads are flexion creases, and they have an anatomy of their own that is independent of anything read from them. The primary creases form in the womb, around the twelfth and thirteenth weeks, as the hand begins to fold; they mark where the skin is tethered to the fascia beneath so that it hinges cleanly instead of bunching. They are set before birth and change very little afterward, which is the first thing a reader should know about them.

What the tradition calls the Girdle of Venus is a secondary and frequently fragmented arc above the heart line. It appears in a minority of hands and often only in pieces, so what a reader treats as a broken or interrupted girdle is in many cases simply the usual form of a variable feature.

It is worth separating chiromancy from dermatoglyphics, which is often confused with it and is a different subject. Dermatoglyphics studies the ridge patterns of the skin, the loops and whorls used in fingerprinting, and it has a genuine research literature including work on developmental correlates. Palmistry reads the flexion creases, which are a different structure entirely, and there is no body of evidence connecting crease form to character, career or lifespan. The atlas records what the chiromantic tradition says about this line because that tradition is a real object of study. It does not endorse the reading.

Cross-Tradition Connections

Disciplines That Use This

Palmistry, Disciplines

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)

Related To

Venus, Planets

In palmistry the Girdle of Venus, an arc above the heart line, is named for the planet Venus and read as a mark of heightened sensitivity.

Source Palmistry for AllCheiro (William John Warner)
Sources
1. The Earliest Chiromancy in the West
Charles S. F. Burnett, Journal of the Warburg and Courtauld Institutes 50, 189-195, 1987on the twelfth-century Latin texts and their Arabic transmissionView the Source
2. Les Mysteres de la Main
Adolphe Desbarrolles, E. Dentu, 1859the girdle of VenusView the Source
3. Palmistry for All
Cheiro (William John Warner), Herbert Jenkins, London, 1916the treatment of the Girdle of VenusView the Source
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