Zoroastrian divinity is arranged as an opposition, and the opposition is moral rather than genealogical. Ahura Mazda, the wise lord, is the creator and the ruler, uncreated and wholly good. Against him stands the hostile spirit, Angra Mainyu, whose existence is not derived from him and whose activity is destruction. The world is the field on which that conflict is worked out and is expected to end.
Around Ahura Mazda stand the Amesha Spentas, the bounteous immortals, six figures who are at once persons and qualities, good purpose, best truth, desirable dominion, holy devotion, wholeness and immortality, each associated with a part of the good creation. Below them the yazatas, beings worthy of worship, include figures with deep Indo-Iranian roots such as Mithra and Anahita.
There is no succession here, because there are no generations. Ahura Mazda does not have a father he displaced, and the Amesha Spentas are brought into being by him rather than born. A pantheon organised as a single creative act rather than as a family history is rare, and it is one of the sharpest contrasts the atlas can draw with the Greek or the Hittite arrangement.
The daevas, whose name is cognate with the Sanskrit word for the gods, are on the wrong side. That reversal, in which the divine class of one branch of a shared inheritance becomes the demonic class of another, is one of the most striking facts in comparative religion.