Origin 300 BCE to 927 CE
A Shinto shrine visit is short, individual and needs no priest. The visitor passes under the gate, keeps to the side of the path because the centre belongs to the kami, rinses hands and mouth at the water basin, approaches the offering hall, throws a coin into a slatted box, rings the bell if there is one, then bows twice, claps twice, prays silently and bows once more. A few major shrines keep a different count: Izumo and Usa use four claps. Beyond that there are wooden plaques on which wishes are written and hung in racks, paper fortunes tied to a frame if the fortune is bad, and amulets bought for the year and returned to be burnt. Priests make formal offerings of rice, sake, salt, water and a branch of sakaki on behalf of individuals, families and companies.
Facts
Practice
Category of PracticeDevotional and votive: a short individual visit of purification and offering closing with bows and claps, supplemented by wooden wish plaques, paper fortunes and yearly amulets. 1 Who Performs ItAll adherents of the tradition 1 FrequencyAs the occasion requires 1 Solitary or CommunalPerformed alone or together 1 Origins
Origin Period Origin PeriodShrine ritual is codified in the Engishiki of 927 1 Place of Origin Form
Implements and MaterialsPriests make formal offerings of rice, sake, salt, water and a branch of sakaki on behalf of individuals, families and companies. 1 Attributions
TraditionPracticed widely across Hinduism, Shinto and other traditions that maintain shrines as sites of devotional offering. 1 Status
Status TodayLiving tradition, practised today 3 Observance
Observance NoteThe standard sequence of two bows, two claps and one bow is not universal: a few major shrines, Izumo and Usa among them, keep their own count and use four claps instead of the customary two. 1 Learn More
Puja: The Service of the Deity
Puja is the characteristic act of Hindu worship: the honouring of a deity present in an image or symbol through a sequence of offerings and attentions. At its heart lies the treatment of the divine image as an honoured guest of the highest rank, welcomed and served with the courtesies due to a king or a revered visitor. The worshipper offers water to wash, a seat, cloth and ornament, sandal paste and flowers, incense and a flame, food and finally the circling of a lamp before the image in the rite of arati. What is offered is then returned to the worshippers as prasada, grace-bearing food and substance that has passed through the deity's presence and is shared and consumed.
Puja may be elaborate temple ritual conducted by trained priests according to detailed manuals, or the simple daily service of a household shrine performed by any family member. In either case its logic is hospitality and reciprocity: the deity, made truly present in the consecrated image, is served, and returns the service as blessing.
From Temple to Hearth, and the Offering's Meaning
In the temple, puja follows the rhythm of the deity treated as a living resident, woken, bathed, dressed, fed and put to rest at fixed hours, and the great festivals magnify this service to a civic scale. In the home, a shrine holding images or prints of the family's chosen deities is tended daily, often by the women of the household, with lamp, incense and a few flowers and offerings of food. The practice does not depend on priestly mediation: the direct offering of the devotee, made with love, is held sufficient, and the Bhagavad Gita has Krishna promise to accept even a leaf, a flower, a fruit or water offered with devotion.
The offering of the lamp, the presenting of food, and the sharing of the returned prasada recur across the diversity of Hindu worship as its common grammar, uniting the grandest temple ritual and the smallest household rite in a single gesture of service and communion with the divine.
Cross-Tradition Connections
Sources
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