Divinity Atlas

Sacred Correspondences
Realms

Mictlan

Underworlds

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Origin The nine-level, four-year journey is documented chiefly through the appendix to Book Three of Sahagun's Florentine Codex, compiled from Nahua informants in the decades after the conquest, and the pictorial Codex Vaticanus A, which added a schematic diagram of the nine levels not found in the earlier pictorial tradition, so the well-known scheme reaches us specifically through these post-conquest illustrated sources.

The lowest underworld of Aztec cosmology, ruled by the death god and his consort, to which most of the dead journeyed. The soul undertook a difficult four year passage through nine levels beset by hazards before reaching final rest. It was the common destination for those who died ordinary deaths.

Facts
Origins
Held By
Ruled by the death god Mictlantecuhtli and his consort Mictecacihuatl, to whom the dead journeyed after their four year passage through the underworld's nine levels. 1
Origin Period
The nine-level, four-year journey is documented chiefly through the appendix to Book Three of Sahagun's Florentine Codex, compiled from Nahua informants in the decades after the conquest, and the pictorial Codex Vaticanus A, which added a schematic diagram of the nine levels not found in the earlier pictorial tradition, so the well-known scheme reaches us specifically through these post-conquest illustrated sources. 2
Origin of the Name
The name is Nahuatl for place of the dead, built from miqui, to die, and the locative suffix -tlan. 1
Language
Nahuatl 1
Structure
Structure
Nine levels through which the dead travel over four years 1
Structure
Reach Chicunamictlan, the ninth and last 1
Attestation
Meaning in the Attesting Source
Ruled by the death god and his consort, to whom most of the dead journeyed 1
Status
Status Within the Tradition
Attested 3
Learn More
The Four-Year Journey Through Nine Hells

Mictlan is the lowest and most general underworld of Aztec cosmology, the destination of the great majority of the dead, those who died of ordinary causes, as opposed to the select who went to the sun's paradise (warriors and sacrificial victims), to Tlalocan (those taken by water and rain), or to the nurse-tree heaven for dead infants.

Ruled by the skeletal death-god Mictlantecuhtli and his consort Mictecacihuatl, it lay in the far north and deep below, and reaching its final rest was not immediate but a grueling four-year journey through nine successive levels, each with its own hazard: rivers to cross, clashing mountains, obsidian winds that cut like knives, fields of blades. The dead were buried or cremated with goods to aid the passage, and, in a striking custom, with a dog to help them across the deepest river. Only after completing all nine levels did the soul reach Mictlan proper and dissolve into final repose. The conception is notable for what it lacks: the destination in the Aztec afterlife was determined chiefly by the manner of death rather than by moral conduct in life, so Mictlan is neither a punishment nor a reward but simply the common end of an ordinary death, a hard road to a quiet oblivion. Its imagery survives, transformed, in the modern Mexican Day of the Dead.

Nine Trials, Four Years, and a Dog to Get You Across

What determined a person's destination in Aztec cosmology was not conduct. It was the manner of death. Warriors who fell in battle and captives sacrificed accompanied the sun; women who died in childbirth were counted with them; those taken by water or lightning went to Tlalocan; and everyone else, which is nearly everyone, went to Mictlan. A good life did not qualify a person and a bad one did not disqualify them.

The journey took four years and passed nine levels, each with an obstacle: clashing mountains, a hill of obsidian blades, a wind carrying knives, a place where hearts are eaten. Grave goods were provisions for it. At the end the dead arrived before Mictlantecuhtli and Mictecacihuatl and were finished, which is not a reward and not a punishment.

The first obstacle is a wide river, and the dead needed a dog to carry them over. Dogs were bred, kept and buried for the purpose, and dog burials associated with human ones are found archaeologically across the region. The Xoloitzcuintli, which is still a recognised breed, carries the name of the god Xolotl. It is a rare case where a doctrine about the afterlife produced an animal that is still alive.

The annual observances now known as the Day of the Dead descend in part from this material, by way of a long and much argued negotiation with the Catholic calendar. How much of the modern festival is pre-Columbian and how much is colonial and later is genuinely disputed among historians, and confident statements in either direction should be treated with caution.

Cross-Tradition Connections

Associated With

She rules Mictlan with Mictlantecuhtli.

Mictlantecuhtli rules Mictlan with Mictecacihuatl. The dead take four years to cross it, which is why the grave goods are provisions.

Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)
Xolotl, Deities

He goes with the sun through Mictlan at night, and the dead go the same road.

Belongs to Tradition

Related To

One of the Aztec destinations assigned by manner of death.

Tlalocan, Realms

One of the Aztec destinations assigned by manner of death.

Source Death and the Idea of MexicoClaudio Lomnitz
Tonatiuh Ichan, Realms

One of the Aztec destinations assigned by manner of death.

Sources
1. Death and the Idea of Mexico
Claudio Lomnitz, Zone Books, 2005View the Source
2. Florentine Codex: General History of the Things of New Spain
Bernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble, School of American Research and University of Utah Press, 1950View the Source
3. The Offerings of the Templo Mayor of Tenochtitlan
Leonardo Lopez Lujan, University Press of Colorado, 1994Mictlan in Aztec cosmology
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
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