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Guizhou
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Guizhou is a mountainous, landlocked province of southwest China, known for its karst landscape of limestone peaks and caves, and for a proportion of officially recognized ethnic minorities, chiefly the Miao and the Buyi along with Dong, Yi and other peoples, among the highest of any Chinese province. Miao traditional religion centers on ancestor veneration and on nature and village guardian spirits, expressed through festivals such as the Miao New Year and reinforced through the province's tradition of lusheng reed pipe dance gatherings, while Buyi religious practice similarly combines ancestor worship with the veneration of local nature deities and, since the nineteenth century, a significant Christian minority converted by missionary activity among Guizhou's hill peoples. Guizhou's Yi communities, concentrated in the province's west near the borders with Yunnan and Sichuan, maintain the same bimo led tradition of ancestor veneration and sacred text recitation practiced by Yi populations elsewhere in the southwest, addressed to ancestral spirits through ritual specialists trained in the Yi script.
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Geography
LatitudeApproximate reference point, rounded to one decimal place; a large or historical region has no formal center, so this coordinate is conventional, not a precise boundary claim. LongitudeApproximate reference point, rounded to one decimal place; a large or historical region has no formal center, so this coordinate is conventional, not a precise boundary claim. Modern AreaGuizhou, a mountainous, karst province of southwest China. 2 Traditions
Principal Religious TraditionsMiao traditional religion, centered on ancestor veneration and nature and village guardian spirits; Buyi traditional religion, combining ancestor worship with local nature deities; and Yi traditional religion, centered on the bimo ritual specialists who recite the Yi script's sacred texts. 2 Sacred and Liturgical LanguagesStandard Chinese; Miao (Hmong); Bouyei; and the Yi script, in which bimo ritual texts are written. 2 Learn More
The Pollard Script and a Grammar Built to Carry a Gospel
Guizhou's Miao communities received one of the more unusual missionary interventions in the history of Chinese Christianity when the English Methodist missionary Samuel Pollard, working among Miao populations in the province in the early twentieth century, devised a new writing system for the language, combining large and small symbols to represent syllables and tones in a script now known as the Pollard script. Pollard used it to translate the New Testament and hymnals, and literacy in the new script, taught in mission schools, spread rapidly enough among Miao communities that conversion followed at a scale unusual for the region.
The older tradition the mission arrived alongside did not disappear. Miao traditional religion continued its own ancestor veneration and observance of the Miao New Year through the same period, sustained in part by the lusheng, the reed pipe instrument played at festival gatherings that functions as much as a marker of Miao identity as a specifically ritual object, and many Miao communities in Guizhou today observe Christian practice and the older festival calendar side by side rather than one having simply replaced the other, a pattern documented across multiple ethnographic accounts of the province's religious life since Pollard's mission.
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