Divinity Atlas

Sacred Correspondences
Sacred Art & Iconography

Buddha Preaching the First Sermon Attended by Maitreya and Padmapani (The Metropolitan Museum of Art)

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This small stone stele, carved in the Kathmandu Valley of Nepal during the Licchavi period of the eighth or ninth century, shows the Buddha seated in the teaching gesture, his hand raised, flanked by the bodhisattvas Maitreya, the Buddha of the future, and Padmapani, "bearer of the lotus," an early form of the bodhisattva of compassion. The composition depicts the Buddha's first sermon at the Deer Park in Sarnath, the event the tradition remembers as the Dhammacakkappavattana, or "setting in motion the wheel of the law," in which he first proclaimed the Four Noble Truths to the five ascetics who had been his companions. The Metropolitan Museum of Art acquired the stele in 1989 through the Rodolitz Associates Gift, and it stands barely four and five eighths inches high, the scale of a small personal or votive object rather than a temple centerpiece.

Facts
Origins
Creation
700 to 899 CE 1
Date of Creation
Eighth to ninth century, Licchavi period 1
Attributed To
Unknown sculptor (Licchavi period workshop, Kathmandu Valley, Nepal) 1
No individual sculptor is named for small Licchavi period votive steles of this kind, and none is recorded for this piece; noted as unattributed rather than left silent.
Subject Matter
Depicted Subject
The Buddha preaching his first sermon at the Deer Park in Sarnath, flanked by the bodhisattvas Maitreya and Padmapani, the narrative moment the tradition names as the origin of the dharma. 1
Devotional Function
A small votive or personal devotional stele rather than a temple centerpiece, of a scale and format common to Licchavi period Buddhist practice in the Kathmandu Valley. 1
Physical Form
Medium
Stone 1
Dimensions
Height 4 5/8 inches (11.7 centimeters) 1
Custody
Current Location
The Metropolitan Museum of Art, New York, United States, accession 1989.294 1
Current Custodian
The Metropolitan Museum of Art 1
Custody History
Acquired by the Metropolitan Museum of Art in 1989 through the Rodolitz Associates Gift. 1
Learn More
Setting a Wheel in Motion

Before there was a religion called Buddhism, there was, by tradition, a single afternoon in a deer park outside the city of Varanasi. Siddhartha Gautama, newly awakened, sought out five ascetics who had once been his companions and had abandoned him when he chose a middle path between indulgence and extreme self denial. He sat with them and spoke.

What he said became known, in later memory, as the Dhammacakkappavattana Sutta, the discourse on setting the wheel of the dharma in motion. Its content was not elaborate: the four truths of suffering, its cause, its ending, and the path that leads there, stated plainly rather than argued at length across many pages. Its importance lay elsewhere, in the fact that a teaching once held privately by one awakened man now existed spoken aloud between human beings, available to anyone willing to sit and listen.

Every later image of a Buddha in the teaching gesture, hand raised, fingers arranged as though turning something, descends from this remembered afternoon. The wheel became dharma's own emblem because a wheel keeps moving. The point was never a fixed set of rules handed down once and sealed. It was a teaching set turning, meant to keep passing from one generation of listeners to the next exactly as it first passed from five ascetics who had almost given up on their teacher.

A Teaching Small Enough to Hold

This stele stands under five inches tall, small enough to close a hand around, carved from stone sometime in the eighth or ninth century in the Kathmandu Valley of Nepal. Nobody recorded the name of the person who carved it, a silence entirely typical of devotional workshops of the Licchavi period, where sculptors worked in the service of a teaching rather than in pursuit of individual recognition.

Its scale says something about how the story of the first sermon actually circulated among ordinary people, distinct from the story told by the great temples and monasteries that also carried it. A monument the size of a building can only be visited. An object the size of this one could be kept in a household shrine, carried on a journey, or held in the hand during private devotion, close enough to study every detail: the Buddha's raised hand, Maitreya and Padmapani standing in attendance on either side, patient witnesses to a teaching not yet addressed to them.

Objects like this are how a single afternoon in a deer park became something millions of people could hold onto centuries later and thousands of miles away, not only through grand temple complexes but through small stones meant to travel with a single household.

Cross-Tradition Connections

Associated With

Kathmandu, Cities

This source names Kathmandu directly: "This small stone stele, carved in the Kathmandu Valley of Nepal during the Licchavi period of the eighth or ninth century, shows the Buddha seated in the teaching gesture, his hand raised, flanked..."

Maitreya, Deities

This source names Maitreya directly: "raised, flanked by the bodhisattvas Maitreya, the Buddha of the future, and Padmapani, "bearer of the lotus," an early form of the bodhisattva of compassion."

Nepal, Countries

This source names Nepal directly: "carved in the Kathmandu Valley of Nepal during the Licchavi period of the eighth or ninth century, shows the Buddha seated in the teaching gesture, his hand raised, flanked by the bodhisattvas..."

Sarnath, Sacred Sites

This source names Sarnath directly: "first sermon at the Deer Park in Sarnath, the event the tradition remembers as the Dhammacakkappavattana, or "setting in motion the wheel of the law," in which he first proclaimed the Four Noble..."

This source names Kathmandu Valley directly: "This small stone stele, carved in the Kathmandu Valley of Nepal during the Licchavi period of the eighth or ninth century, shows the Buddha seated in the teaching gesture, his hand raised, flanked..."

Depicts

Dharma, Doctrines

Depicts the exact narrative event Buddhist tradition names as the origin of the dharma itself, the Buddha's first sermon at Sarnath, rather than a generic seated Buddha image.

Sources
1. The Metropolitan Museum of Art, "Buddha Preaching the First Sermon Attended by Maitreya and Padmapani," accession 1989.294
The Metropolitan Museum of Art, catalogue entry, The Metropolitan Museum of Art, 2026View the Source
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