Divinity Atlas

Sacred Correspondences
Sacred Art & Iconography

Saint Michael the Archangel (Metropolitan Museum of Art, 60.127.2)

Glazed terracotta, Andrea della Robbia, ca. 1475, Metropolitan Museum of Art 60.127.2

Citation Formats

General Reference

APA Style

BibTeX

A glazed terracotta sculpture titled "Saint Michael the Archangel," by the Florentine sculptor Andrea della Robbia, ca. 1475. Michael is shown in his role as the warrior archangel who casts down the rebel angels and weighs souls at judgment, a figure venerated across the Christian tradition as the chief defender against evil. Held today by the Metropolitan Museum of Art, European Sculpture and Decorative Arts department, under accession 60.127.2.

Facts
Origins
Creation
1470 to 1480 1
Date of Creation
ca. 1475 1
Attributed To
Andrea della Robbia 1
Subject Matter
Depicted Subject
Saint Michael the Archangel, the warrior angel of Christian, Jewish and Islamic tradition 1
Custody
Current Location
The Metropolitan Museum of Art, New York 1
Current Custodian
The Metropolitan Museum of Art 1
Custody History
Harris Brisbane Dick Fund, 1960 1
Attributions
Tradition
Roman Catholic Christianity (veneration of angels) 1
Physical Form
Medium
Glazed terracotta 1
Dimensions
Overall (confirmed): 31 1/8 × 61 7/8 in., 217.7 lb. (79.1 × 157.2 cm, 98.7 kg) 1
Rights and Reproduction
Reproduction and Copyright
The Metropolitan Museum of Art has designated this work as being in the public domain and makes it available through its Open Access policy; no permission is required for reproduction. 1
Cross-Tradition Connections

Belongs to Tradition

Depicts

The Met's own title for this sculpture names the subject outright, "Saint Michael the Archangel," a direct identification rather than a bare thematic tag.

Sources
Comments (0)
No comments yet. Be the first to share a thought.
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.

View At A Past Year

Choose a year to see this entry's facts and connections as the atlas records them at that moment: what it held then, what it held instead, and what it had not yet adopted. Choose Present for the current record.