Divinity Atlas

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Vine of the Soul: Encounters with Ayahuasca

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A 2010 Canadian documentary, 52 minutes, directed by Richard Meech, following a naturopathic doctor and an accountant who travel from Canada to a healing center in the Peruvian Amazon to drink ayahuasca under the guidance of indigenous and Western practitioners.

Facts
Production
Release YearSourced to the subject's own account
2010 1
DirectorSourced to the subject's own account
Richard Meech 1
Country of OriginSourced to the subject's own account
Canada 1
FormatSourced to the subject's own account
Documentary 1
Subject Matter
Religious Subject Matter
Two Canadians' ayahuasca healing journey, centered on a named Shipibo Master, Guillermo Arevalo, who teaches one of them to work with the medicine in a ceremonial way. No kene design is drawn or reproduced; the film documents the relationship and the ceremony's outward shape rather than the tradition's own restricted visionary art. 2
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A Shipibo Master Teaches What the Camera Cannot Show

In 2010, Canadian filmmaker Richard Meech spent time at a healing center in the Peruvian Amazon making Vine of the Soul: Encounters with Ayahuasca, a fifty two minute documentary following a naturopathic doctor and an accountant as they travel from Canada to drink ayahuasca under guidance they did not grow up with.

The film centers a real relationship rather than a generic jungle backdrop. One of its subjects is taught how to work with the medicine in a ceremonial way by a Shipibo Master, and the film names him: Guillermo Arevalo, known in his own community by his Shipibo name, Kestenbetsa. Arevalo was born in 1952 in Yarinacocha and has spent decades as a vegetalista, a traditional plant medicine practitioner, co founding an organization in 1982 to bring Shipibo Conibo healing practice into wider Peruvian health care before going on to run his own center.

Meech's camera stays outside the ceremony in the way that matters here. It records the setting, the preparation, the aftermath and the words of the people involved, including Arevalo himself, rather than reproducing kene, the geometric visionary designs the Shipibo Conibo consider living, attributed works passed down through named artists. Nothing in the film stands in for a kene, and nothing here claims to either.

What the documentary offers is closer to reportage than devotion: an outside filmmaker's honest account of what two Canadians experienced under a Shipibo healer's guidance, with that healer identified, named and given his own words rather than folded into an anonymous jungle mystique.

Cross-Tradition Connections

Belongs to Tradition

An outside Canadian filmmaker's documentary account of two Canadians' ayahuasca practice under a named Shipibo healer's guidance, not a production of the Shipibo-Conibo tradition itself.

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