The Metropolitan Museum of Art's own collection record for "The Incredulity of Saint Thomas," an etching, first state of three, by an anonymous Italian printmaker, circa 1640 to 1660. The record gives the accession number 26.70.3(13), a sheet measuring roughly 9 3/16 by 11 13/16 inches, the classification Prints, and the credit line Harris Brisbane Dick Fund, 1926. The print shows Christ presenting his wound to Thomas, who touches it with his hand.
Facts
Citation
PublisherMetropolitan Museum of Art
URLhttps://www.metmuseum.org/art/collection/search/812150
Source TypeMuseum
Assessment
Reliability Tier1
The holding museum's own catalogue record for the accessioned object, the strongest available record for its date range, medium and accession number, its own title directly naming the Incredulity of Saint Thomas episode. Cross-Tradition Connections
Associated With
This source names Thomas directly: "record for "The Incredulity of Saint Thomas," an etching, first state of three, by an anonymous Italian printmaker, circa 1640 to 1660."
Claims Backed By This Source (10 claims)
This source backs 10 claims across the atlas. As facts: 6 well-attested. As cited relationships: 3 holds. Plus 1 entities citing it as a general reference with no single fact or relationship attached.
Disposition By Topic
- Sources, 6 claims: 5 well-attested, 1 holds.
- Sacred Art & Iconography, 4 claims: 1 well-attested, 2 holds, 1 general references.
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