Divinity Atlas

Sacred Correspondences
Alphabet Letters

Ta ت

Arabic Letters

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ت
Origin Arabic-language inscriptions in the script are attested from the fourth to the sixth century CE

Ta is the third letter of the modern Arabic order and the twenty-second of the older abjad order, in which it carries the numeral value four hundred. It is written as the shared bowl skeleton with two dots above, and it joins on both sides. Ta is a sun letter: the lam of the definite article assimilates to it in speech and is not heard, though it is still written. Arabic also uses a bound variant, ta marbuta, which closes most feminine nouns, is drawn as a ha carrying the two dots of ta, and is not counted among the twenty-eight. The name descends from the Northwest Semitic tav, whose sense was mark, and the letter is the cognate of Hebrew tav and Syriac taw.

Facts
Origins
Origin Period
Arabic-language inscriptions in the script are attested from the fourth to the sixth century CE 1Tradition: The Arabic script
Origin Period
Consonantal pointing and then vowel marking were added to the bare skeleton in the first two centuries of Islam 2Tradition: The Arabic script
Place of Origin
Northern Arabia and the Levant, from the cursive Nabataean form of the Aramaic script 3Tradition: The Arabic script
Origin of the Name
The names of the twenty-two inherited letters are Northwest Semitic words, and are not ordinary Arabic words 1Tradition: The Arabic script
Origin of the Name
The six letters Arabic added to the inherited sequence have no Northwest Semitic name behind them 1Tradition: The Arabic script
Sense of the Name
mark, by inheritance from the Northwest Semitic name 1Tradition: The Arabic script
The pictographic sense is a modern reconstruction from the letter name rather than a meaning attested in the script's own period, and the atlas records that position elsewhere on this letter. The name itself is inherited; the picture behind it is inferred.
Attestation
Meaning in the Attesting Source
A sun letter: the lam of the definite article assimilates to it in speech 1Tradition: Arabic grammar
Meaning in the Attesting Source
Abjad numeral value 400 in the eastern reckoning 4Tradition: Hisab al-jummal, the abjad numerals
Meaning in the Attesting Source
Calligraphy became the central sacred art of the Islamic world, and the hands are regional and dated 5Tradition: Islamic calligraphy
Meaning in the Attesting Source
Has a bound variant, ta marbuta, which closes most feminine nouns and is not counted among the twenty-eight 1Tradition: Arabic grammar
Meaning in the Attesting Source
The eastern and western reckonings of the abjad numerals assign several letters different values 4Tradition: Hisab al-jummal, the abjad numerals
Meaning in the Attesting Source
Two orders are in simultaneous use: hija'i, arranged by shape, and abjad, the inherited Semitic sequence 1Tradition: The Arabic script
Identity
Script Type
An abjad: the twenty-eight letters record consonants and the long vowels, with short vowels marked optionally 1Tradition: The Arabic script
Position
Third of twenty-eight in the hija'i order, and twenty-second in the abjad order 1Tradition: The Arabic script
How the Letter Joins
Joins on both sides, and contracts to a dotted tooth initially and medially 1Tradition: The Arabic script
Attributions
Associated Sound
Voiceless dental stop t, articulated further forward in the mouth than English t 1
Contested Use
Contested or Appropriated Modern Use
Modern numerology sums abjad values to date events and to find hidden meanings in texts 6
Contested or Appropriated Modern Use
So many sums are available that a match can be produced for almost any target 6
Learn More
Ta: The Third Letter of the Arabic Script

Ta is the third letter of the modern Arabic order, written as the shared bowl skeleton with two dots above. In the older abjad order it stands far later, at the twenty-second place, and carries the numeral value four hundred. The distance between its two positions is a useful reminder that the Arabic alphabet has two orders in simultaneous use: one arranged by shape, which is how the letters are taught and how dictionaries are built, and one inherited from the older Semitic sequence, which is retained for numbers, for chronograms, and for the ordering of certain traditional lists.

Ta joins on both sides and reduces to a dotted tooth at the beginning and in the middle of a word. It is a sun letter, so the lam of the definite article assimilates to it and is not heard, the resulting doubling being marked in fully pointed text by a shadda written over the ta.

Arabic also writes a second, bound form of the letter, ta marbuta, which is not counted among the twenty-eight. It closes most feminine singular nouns and is drawn as a ha carrying the two dots of ta, a compromise shape that reflects a compromise pronunciation: it is sounded as t when the word carries its case ending and as a light h, or as nothing at all, when the word is pronounced in pause. The name of the letter descends from the Northwest Semitic tav, whose sense was mark, and it is the cognate of Hebrew tav and Syriac taw.

Sun Letters and the Definite Article

The Arabic definite article is written al- before every noun without exception, and it is not pronounced that way. Before fourteen of the twenty-eight letters the lam disappears in speech and the following consonant is doubled in its place. Those fourteen are called the sun letters, after the word for sun, which begins with shin and is therefore written al-shams and pronounced ash-shams. The other fourteen are the moon letters, after the word for moon, which keeps its lam and is both written and pronounced al-qamar.

The division is not arbitrary. The sun letters are the coronals, the consonants made with the tip or the blade of the tongue against the teeth or the ridge behind them, which is where lam is made as well. Assimilation of one coronal to a neighbouring coronal is ordinary in Semitic phonology, so the split records a phonetic fact rather than imposing a convention. The fourteen are ta, tha, dal, dhal, ra, zay, sin, shin, sad, dad, the emphatic ta, za, lam and nun.

The written form matters religiously as well as grammatically. Because the article is always written al-, the consonantal skeleton of the Quranic text stays stable while its recitation is governed by rules the letters do not fully record. The disciplines that transmit those rules, tajwid and the science of the variant readings, live in exactly that space between what the script shows and what the voice does. Sun and moon letters are the first and simplest instance of that space a learner meets, and the fact that a reader must know the rule rather than read it off the page is the point.

Cross-Tradition Connections

Derived from This

Tha is written on the same skeleton as ta and is distinguished from it by a third dot above. It is one of the six rawadif, the letters appended to the inherited twenty-two, and it carries the abjad value five hundred.

Source Islamic CalligraphySheila S. Blair

Related To

Cognate letters. Arabic ta and Hebrew tav both continue the twenty-two letter Northwest Semitic alphabet, and they hold the same place in the inherited order and the same numeral value, 400. Neither is derived from the other.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Syriac Taw and Arabic Ta answer to one another in the abjad order, the twenty-two letter Aramaic sequence Arabic keeps for its letter numerals, and both carry the value 400. A shared ancestor and not a borrowing, since Arabic reached the sequence through Nabataean.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)
Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Qurans of the Umayyads: A First Overview
Francois Deroche, Brill, Leiden, 2014View the Source
3. The Religion of the Nabataeans: A Conspectus
John F. Healey, Brill, 2001View the Source
4. The Encyclopaedia of Islam, 2nd edition
P. Bearman, Th. Bianquis, C. E. Bosworth, E. van Donzel and W. P. Heinrichs (eds.), Brill, 2005View the Source
5. Islamic Calligraphy
Sheila S. Blair, Edinburgh University Press, 2006View the Source
6. Numerology: Or, What Pythagoras Wrought
Underwood Dudley, Mathematical Association of America (Spectrum series), 1997View the Source
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