Home›Articles›Joint Management, and the Closing of the ClimbArticlesJoint Management, and the Closing of the ClimbCitation FormatsGeneral ReferenceGeneral Reference Citation TextDivinity Atlas. "Joint Management, and the Closing of the Climb." Accessed August 30, 2026. https://divinity.interactivelion.com/articles/anangu-joint-management-and-the-closing-of-the-climb.Copy General ReferenceAPA StyleAPA Style Citation TextDivinity Atlas. (n.d.). Joint Management, and the Closing of the Climb. Retrieved August 30, 2026, from https://divinity.interactivelion.com/articles/anangu-joint-management-and-the-closing-of-the-climbCopy APA StyleBibTeXBibTeX Citation Text@misc{divinityatlas-joint-management-and-the-closing-of-the, author = {Divinity Atlas}, title = {Joint Management, and the Closing of the Climb}, year = {2026}, url = {https://divinity.interactivelion.com/articles/anangu-joint-management-and-the-closing-of-the-climb}, note = {Accessed August 30, 2026} }Copy BibTeXLearn MoreCross-Tradition ConnectionsSourcesComments (0)Reader Challenges (0 open reader challenges)Learn MoreJoint Management, and the Closing of the Climb Uluru and Kata Tjuta sit in Anangu country, and the modern history of the place is a history of who decides. The area was declared a national park under Australian administration, and freehold title was handed back to the Anangu traditional owners in 1985 on the condition that the land be leased back and jointly managed. The park's board of management has an Anangu majority, and the management plan is a legal document produced in both English and Pitjantjatjara. The most visible decision that structure produced concerns climbing Uluru. Anangu had asked visitors not to climb for decades, on the ground that the route runs along a way that carries significance and that the traditional owners hold themselves responsible for the safety of anyone on it. The board resolved in 2017 to close the climb, and it closed in October 2019. The park also administers photography restrictions covering particular sites, requested by the traditional owners and applied to commercial and general photography alike. The Songlines exhibition, developed with Anangu, Ngaanyatjarra and Yankunytjatjara custodians and toured internationally, is the model the atlas follows: material is presented with the consent and the framing of the people who hold it, and what is not released stays where it is.Cross-Tradition ConnectionsArticle OnAnangu, Cultures Well-attested Source Divinity Atlas Long-Form Articles, First Editiontier 1SourcesDivinity Atlas Long-Form Articles, First Editiontier 1Comments (0)No comments yet. Be the first to share a thought.Sign in to join the discussion.Reader Challenges (0 open reader challenges)No disputes yet. Spotted an error or a better source? Open the first one.Sign in to dispute this or suggest a correction.View At A Past YearThe atlas records no dated fact of its own for this entry, so there is no other year to choose.Show This Year