Xuanzang left Chang'an in 629 against an imperial ban on travel, crossed the deserts and the mountains, studied for years at Nalanda in India, and came back in 645 with hundreds of manuscripts, images and relics. The emperor who had forbidden the journey received him publicly, and the Great Wild Goose Pagoda was raised in the city to store what he had brought.
What followed was industrial. Buddhist translation in China was a collective operation with defined roles: a master who construed the Sanskrit, assistants who checked the sense against other recensions, scribes, and stylists who made the Chinese readable, all working under state support. Xuanzang's team produced an enormous body of text in twenty years and established a Chinese version of the Yogacara school on the strength of it. His own account of the journey, written for the throne, described the kingdoms and monasteries he had passed through in such detail that nineteenth century archaeologists used it to locate Indian Buddhist sites that Indian tradition had forgotten.
He was not the first. Kumarajiva had been brought to Chang'an as a captive at the start of the fifth century and translated there under the same kind of patronage, and it is his versions of the Lotus and Diamond sutras, not the more literal later ones, that East Asian Buddhists have chanted ever since. A city that could feed and house such teams, and a state willing to pay for them, is why so much Indian Buddhist literature survives in Chinese when the Sanskrit is lost.