Divinity Atlas

Sacred Correspondences
Deities

Engai

Also Known As Enkai The transcription closest to the Maa. · Eng'ai · Ngai Also the name of the divinity among the Kikuyu, which is a related but separate usage. · Enkai Narok The black god, the benevolent aspect that brings rain. An aspect of Engai, not a separate deity. · Enkai Nanyokie The red god, the angry aspect that withholds rain. An aspect of Engai, not a separate deity.
Maasai Deities

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Engai, also written Enkai and Eng'ai, is the divinity of the Maasai of Kenya and Tanzania, and the Maa word means both the god and the sky and the rain. Engai is one, and is described in two aspects that are not two gods: Enkai Narok, the black god, who is benevolent and brings the rain that turns the grass, and Enkai Nanyokie, the red god, who is angry and brings drought, hunger and the lightning strike. Black is the favourable colour in this scheme, because black is the sky heavy with rain and the grass after it comes; red is the colour of a dry season. Maasai tradition holds that Engai gave all cattle to the Maasai, a claim with obvious historical consequences for their neighbours, and cattle remain the medium in which most religious obligation is expressed. The laibon is the ritual specialist who addresses Engai on the community's behalf. Ol Doinyo Lengai, an active volcano in northern Tanzania, is the Mountain of God.

Facts
Origins
Origin of the Name
The Maa word Engai names the god, the sky and the rain all at once, so the deity's name and the phenomena tied to worship of him are not separate words. 1
Disputed
Gender
Gender-fluid across the tradition 1
Engai is the Maasai sky and supreme being, and the Maa noun engai itself carries the feminine grammatical prefix en-. Naomi Kipury's Oral Literature of the Maasai (1983), a collection and study of Maasai oral tradition, records that a number of recorded accounts render Engai as female or as a mother, others use masculine forms throughout the same body of oral material, and a third position within Maasai thought holds that the question of gender does not properly arise at all, since Engai is understood as the sky rather than as a personal being to whom a gender could attach. Kipury's method is the collection and comparison of oral narrative and praise language directly from Maasai speakers, since Maasai religious tradition is transmitted orally rather than through a fixed text that could settle usage once and for all. Because the variation runs through the living oral tradition itself, the atlas records the three positions side by side rather than resolving them.
Identity
Also Known As
Enkai and Eng'ai in other transcriptions; Enkai Narok, the black god, and Enkai Nanyokie, the red god, are aspects rather than separate deities. 1
Belief
Theology
Monotheistic: one God 1
Cult
Principal Cult Centre
Ol Doinyo Lengai, the Mountain of God, an active volcano in northern Tanzania, visited in prayer at times of trouble. 2
Attributes and Iconography
Engai is pictured in two color aspects rather than as two gods: Enkai Narok, the black god of benevolent rain, and Enkai Nanyokie, the red god of drought and lightning. Black marks the sky heavy with rain and the grass that follows it, and red marks the dry season. 1
Worship and Practice
The laibon, a ritual specialist recognized within Maasai society, is the figure who formally addresses Engai on the community's behalf, mediating collective prayer and ritual rather than leaving each worshipper to approach the divinity directly. 1
Function
Domain / Function
Creation and cosmogony 1
Domain / Function
Sky 1
Domain / Function
Rain and weather 1
Domain / Function
Herds and pastoralism 2
Attributions
Mythic Association
Maasai tradition holds that Engai gave all the cattle in the world to the Maasai, establishing the herd as a trust received rather than property acquired. 1
Attestation
Veneration Today
Actively venerated in a living tradition 2
Meaning in the Attesting Source
The Maa word means the divinity, the sky and the rain at once, which in semi-arid pastoral country is a description rather than a metaphor. 1
Historicity
Not a historical person: a divine or other-than-human being 3
Learn More
The Black God and the Red God

The Maa word engai carries three things at once: the divinity, the sky, and the rain. In a pastoral society on semi-arid grassland this is not a poetic conflation but a plain description of what matters, since the difference between a good year and a catastrophe is the rain, and the rain comes from the sky, and the sky is god.

Engai is one divinity understood through two aspects. Enkai Narok is the black god: black not as an ominous colour but as the colour of a sky loaded with rain and of grass after it has fallen. This is the benevolent aspect, the one that gives. Enkai Nanyokie is the red god, red being the colour of the dry season and the burnt earth, and this aspect is the angry one, which withholds rain, sends hunger and strikes with lightning. The colour scheme inverts the European convention entirely, and it inverts it for a reason a herder would find obvious.

The two are not rival gods and there is no myth of a conflict between them. They are the two things the same sky does. Which aspect is being addressed depends on what has happened and what is being asked, and a great deal of Maasai prayer is concerned with turning the red toward the black.

Engai's gender is not settled in the literature. The Maa noun takes the feminine prefix en-, and a number of accounts render Engai as female or as a mother; others use masculine forms; others hold that the question does not arise, since Engai is the sky rather than a person of any kind. The atlas records the disagreement rather than choosing, because the choice would assert something the sources do not.

The Cattle, the Laibon and the Mountain

The central Maasai claim about Engai is that he gave all the cattle in the world to the Maasai. The tradition, recorded in several versions, describes cattle descending to the first Maasai, and it establishes a relationship in which the herd is not property acquired but a trust received. The practical consequence was well understood by everyone in the region: if all cattle are Maasai by divine grant, then cattle held by others are, in a certain reading, recoverable. Whether the tradition drove Maasai raiding or was invoked afterwards to explain it is not something the sources can settle, and it is a question historians have raised without resolving.

Religion is conducted largely in cattle. Sacrifice, blessing, the settlement of disputes, marriage and the ceremonies that move an age-set from one grade to the next are all transacted in animals, and an obligation stated in cattle is the ordinary form a religious obligation takes.

The laibon is the ritual specialist: a diviner and prophet, drawn from particular lineages, who reads and addresses Engai on behalf of others, blesses the warriors, and is consulted before undertakings of consequence. The office is hereditary in the Il Aiser and related lines, and its holders have at times exercised political influence well beyond ritual, most visibly in the nineteenth century. What a laibon does in the course of divination belongs to the laibon and to those who consult him, and is not set out here.

Ol Doinyo Lengai, in northern Tanzania, is the Mountain of God. It is an active volcano, and it is a place of pilgrimage and prayer in times of trouble, which is a rather more direct arrangement between a sky god and a mountain than most traditions maintain.

Correspondences & Relations

Pantheons

Cross-Tradition Connections

Worshipped In

Kenya, Countries

Maasai communities of southern Kenya.

Maasai, Cultures

Engai is the single divine being of Maasai belief, addressed directly in prayer by elders and age set groups.

Tanzania, Countries

Maasai communities of northern Tanzania.

Sources
1. Oral Literature of the Maasai
Naomi Kipury, Heinemann Educational Books, 1983
2. The Maasai of Matapato: A Study of Rituals of Rebellion
Paul Spencer, Manchester University Press for the International African Institute, 1988
3. African Religions and Philosophy
John S. Mbiti, Heinemann, 1969
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