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Anselm of Canterbury

Also Known As Anselm
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Benedictine monk, philosopher and Archbishop of Canterbury, the most original Christian thinker between Augustine and Aquinas. He framed theology as faith seeking understanding, devised the ontological argument for God's existence in the Proslogion, and in Cur Deus Homo gave the satisfaction theory of the atonement its classic form, from which most later Western atonement theology descends or dissents.

Facts
Status
Status Within the Tradition
His ontological argument for God's existence, and the objection raised against it in his own lifetime by the monk Gaunilo, opened a debate about whether existence can be argued from the concept of a greatest conceivable being that philosophers still contest today. 1
Origins
Place of Origin
Aosta, in the Burgundian Alps, now Italy 1
Era of Composition
Eleventh to early twelfth century CE 1
Attributions
Tradition
Latin Christendom 1
Identity
Gender
Male 1
Position Profile
Key Text
In the Monologion, written just before the Proslogion, he offers a second and independent set of arguments for God's existence and nature grounded in degrees of goodness and being rather than the single ontological proof that made the later work famous. 1
Veneration
Shrine or Burial Place
He is buried in Canterbury Cathedral, the see he served as archbishop, and was declared a Doctor of the Church in 1720. 1
Attestation
Historicity
Historically attested 1
Life
Lifespan or Floruit
1033 or 1034 to 1109 1
Office Held
Archbishop of Canterbury from 1093; prior of the Norman abbey of Bec before that 1
Publications
Notable Publication
Proslogion (c. 1077), source of the ontological argument, and Cur Deus Homo (c. 1098), source of the satisfaction theory of the atonement 2
Learn More
Faith Seeking Understanding

Anselm was born at Aosta, in the Burgundian Alps, in 1033 or 1034. After a wandering youth he crossed into Normandy to study under Lanfranc at the abbey of Bec, took the habit there, and rose to be prior and then abbot, making Bec one of the intellectual centers of Europe. At Bec he wrote the works that made his name: the Monologion, which argues from the degrees of goodness in things to a single supreme good, and the Proslogion, which compresses everything into one famous stroke, the ontological argument, reasoning that that than which nothing greater can be conceived cannot exist in the understanding alone. The argument has been attacked from Anselm's own lifetime to the present, defended by thinkers from Descartes to modern modal logicians, and never quite killed; it remains the most discussed single argument in philosophical theology.

His program he stated in a phrase that named medieval thought's whole method: fides quaerens intellectum, faith seeking understanding. In 1093 he was dragged, genuinely protesting, to the see of Canterbury, and spent much of his episcopate in exile, contesting the rights of the church against Kings William Rufus and Henry I in the investiture quarrels. He died at Canterbury in 1109, was canonized, and in 1720 was declared a Doctor of the Church.

Cur Deus Homo and the Satisfaction Theory

Anselm's Cur Deus Homo, Why God Became Man, finished in exile around 1098, asked the question its title states and answered it with a new account of the atonement. The older ransom theory had pictured the crucifixion as a price paid to the devil, who held humanity captive by right of conquest. Anselm dismissed the devil's rights entirely. Sin, he argued in the feudal vocabulary of honor and obligation, is the creature's failure to render God what is owed; it leaves a debt that justice cannot simply waive. Humanity owes the debt but cannot pay it; God can pay it but does not owe it; therefore only one who is both God and man can make the satisfaction, which is why God became man, and why the cross is neither a trick played on the devil nor an arbitrary display, but the necessary repair of a moral order.

The argument, restated and modified, became the trunk of Western atonement theology. Aquinas softened its necessity, the Reformers sharpened satisfaction into penal substitution, Abelard's moral influence account defined itself against it, and modern theology still stakes positions by their distance from Anselm. The atlas records the satisfaction theory as a doctrine in its own right, attributed to this book; few works of eight hundred pages have organized a field the way this short dialogue organized centuries of thought on why, in Christian terms, the death of Christ saves.

Cross-Tradition Connections

Associated With

This source names Anselm of Canterbury directly: "Cur Deus Homo, Why God Became Man, is Anselm of Canterbury's own 1098 treatise and the founding statement of the satisfaction theory of the atonement, arguing that Christ's death satisfies a debt of..."

Source Cur Deus Homo (Why God Became Man)Anselm of Canterbury

Benedictine monk of Bec and Archbishop of Canterbury (1093 to 1109); canonized, and declared a Doctor of the Church in 1720.

This source names Anselm of Canterbury directly: "This is Thomas Williams's Saint Anselm entry in the Stanford Encyclopedia of Philosophy, a continuously revised, peer reviewed reference work rather than a fixed edition monograph, each entry..."

Attributed Works

Cur Deus Homo (c. 1098) gave the satisfaction theory its classic form: only one who is both God and man can render the satisfaction sin owes to divine justice.

Source Cur Deus Homo (Why God Became Man)Anselm of Canterbury

Belongs to Tradition

Depicted In

Traditions Founded

Traditionally called the father of scholasticism; the movement has no single founder and includes thinkers well before and long after him.

Sources
1. Saint Anselm (Stanford Encyclopedia of Philosophy entry)
Thomas Williams, Metaphysics Research Lab, Stanford UniversityView the Source
2. Cur Deus Homo (Why God Became Man)
Anselm of Canterbury, 1098
S. Anselme, eveque de Cantorbery (St. Anselm, Bishop of Canterbury), accession 17.50.17-371(131) (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: S. Anselme, eveque de Cantorbery, St. Anselm, Bishop of Canterbury (Metropolitan Museum of Art, 17.50.17-371(131)), accession 17.50.17-371(131)View the Source
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