Divinity Atlas

Sacred Correspondences
Figures

Zechariah

Also Known As Zekharyah (Hebrew) · The Prophet Zechariah Distinguishes him from the father of John the Baptist, a different man of the same name.
Prophets

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Zechariah is one of the twelve minor prophets, active in Jerusalem from about 520 BCE alongside Haggai, urging the returned exiles to finish rebuilding the temple. His book is unlike the rest of the twelve: its first half is a sequence of eight night visions, horsemen among the myrtles, a flying scroll, a woman in a basket carried to Shinar, given with an interpreting angel, and its second half turns to a coming king riding on a donkey, to thirty pieces of silver, and to one whom they have pierced. Those passages are quoted heavily in the passion narratives of the Gospels, which makes the book one of the most used of the minor prophets in Christian reading. He is not Zechariah the father of John the Baptist, the priest struck dumb in the temple in Luke chapter 1, who is a different man of the same name.

Facts
Attestation
Historicity
Historically attested 1
Historicity Detail
The book divides sharply at chapter 9 into two sections markedly different in style and outlook, and since the eighteenth century many scholars have argued that chapters 9 through 14, sometimes called Deutero-Zechariah, were composed by a later, unnamed hand rather than by the historical prophet responsible for chapters 1 through 8. 1
Traditions Revering This Figure
Judaism 1
Position Profile
Key Text
The book of Zechariah, with the notices in Ezra 5 and Ezra 6 1
Identity
Gender
Male 1
Life
Place of Activity
Jerusalem, from about 520 BC, alongside the prophet Haggai 1
Practice
Lineage
The book names him son of Berechiah and grandson of Iddo, a priestly family, distinguishing him by full genealogy from the many other Zechariahs of the Hebrew Bible, among them the later high priest son of Jehoiada whom the Gospel of Matthew appears to conflate with him when it names the blood of Zechariah son of Barachiah. 1
Status
Status Within the Tradition
Passages from his book, the king riding a donkey, thirty pieces of silver, one whom they have pierced, are quoted heavily in the Gospel passion narratives, making his book among the most drawn upon of the twelve minor prophets in later Christian reading. 1
Origins
Era of Composition
Active as a prophet in Jerusalem from around 520 BCE, contemporary with Haggai, during the return from Babylonian exile and the rebuilding of the Second Temple. 1
Learn More
Eight Visions and an Angel Who Explains Them

The first half of the book is a single night's sequence of eight visions, and its most consequential feature is not any of the images but the figure standing beside the prophet. An angel accompanies him, he asks what the things mean, and the angel answers. Earlier prophets receive a word; here a prophet receives a picture and needs an interpreter. That device becomes standard in the apocalyptic literature that follows, and Zechariah is where it enters.

The visions themselves are compact and strange. Horsemen returned from patrolling the earth report that all the world sits still. Four horns are broken by four smiths. A young man setting out to measure Jerusalem is told to stop, because the city will be too large for walls. The high priest Joshua stands in filthy garments while an accuser stands at his right hand to oppose him, and is reclothed. A lampstand of seven lights is flanked by two olive trees, identified as the two anointed ones who stand by the Lord of the whole earth. A scroll flies over the land. A woman named Wickedness is pressed into a measuring basket, sealed with a lead weight and carried off to Shinar by two women with wings like a stork.

The political point is direct. Judah was a province, not a kingdom, and the book places two figures at the head of the restored community, the governor Zerubbabel of David's line and the high priest Joshua, and speaks of a counsel of peace between them both. Later editing of the crowning passage in chapter six has left visible seams, which readers have taken as evidence that the arrangement did not survive.

The Second Half, and the Passion Narratives

Chapters nine to fourteen are so unlike chapters one to eight that scholarship has treated them as a separate collection since the eighteenth century. The dated headings stop. The night visions stop. The interpreting angel disappears. Zerubbabel and Joshua are not mentioned. The style turns oracular and the subject turns to a future conflict of the nations.

That second half supplied the early Christian movement with an unusual proportion of its vocabulary for the death of Jesus. A king comes to Jerusalem lowly and riding on a donkey, on a colt the foal of a donkey. A rejected shepherd is weighed out thirty pieces of silver, which he throws to the potter in the house of the Lord. They shall look on the one whom they have pierced and mourn. Strike the shepherd and the sheep will be scattered. On that day the Mount of Olives shall split in two from east to west.

Each of these is quoted or alluded to in the Gospels, and the entry into Jerusalem and the price of Judas are built directly on them. Matthew attributes the thirty pieces to Jeremiah rather than to Zechariah, a discrepancy noted in antiquity and never satisfactorily explained.

The result is a book of the twelve minor prophets whose second half is read far more often in Christian churches than in any other setting, and whose first half, the visions that give the prophet his historical position in the rebuilding of the temple around 520 BCE, is comparatively neglected.

Cross-Tradition Connections

Associated With

The Benedictus is the canticle of Zechariah, whose tongue is loosed at the naming of his son John.

Source The Holy BibleAnonymous (multiple authors)

Attested in Region

The Levant, Regions

Belongs to Tradition

Judaism, Religions

Depicted In

The Met's own title for this engraving names the subject outright as one of the Twelve Prophets, a direct identification rather than a bare thematic tag.

Sources
1. The Hebrew Bible (Tanakh)
Anonymous (multiple authors)View the Source
The Holy Bible
Anonymous (multiple authors), Robert Barker, 1611View the Source
The Prophet Zechariah, from Prophets and Sibyls, accession 29.16.28 (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: The Prophet Zechariah, from Prophets and Sibyls (Metropolitan Museum of Art, 29.16.28), accession 29.16.28View the Source
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