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Sacred Correspondences
Godai (Five Elements)

Earth

CHEE

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Origin 300 BCE to 600 CE

The first of the five great elements of Japanese esoteric thought, representing solidity, stability, and resistance to change. Chi corresponds to things that are hard and grounded, and in the person it reflects confidence, steadiness, and a firm sense of self.

Facts
Origins
Origin Period
300 BCE to 600 CE 1Tradition: Buddhism
Origin Period
806 to 835 CE 1Tradition: Shingon
Place of Origin
Japan, by way of Tang China, and through China from India. 1Tradition: Shingon
Attributed Author / Compiler
Kukai, posthumously Kobo Daishi, in the Sokushin jobutsu gi 1Tradition: Kukai, Sokushin jobutsu gi
Attributed Author / Compiler
The doctrine that they are the Buddha's body is his 1Tradition: Kukai, Sokushin jobutsu gi
Attributed Author / Compiler
The elements themselves are older than he is 1Tradition: Kukai, Sokushin jobutsu gi
Origin of the Name
Godai is "the five great", from go, five, and dai, great, and renders the Sanskrit pancha-mahabhuta 1Tradition: Shingon
Origin of the Name
The Japanese term is a translation of an Indian one, not a native scheme 1Tradition: Shingon
Language
Sanskrit 1Tradition: Buddhism
Language
Japanese 1Tradition: Shingon
Attestation
Meaning in the Attesting Source
Kukai's Sokushin jobutsu gi teaches SIX great elements, the rokudai: earth, water, fire, wind, space and consciousness. The five recorded here are the material five; the sixth is mind, the element that perceives the others, and Kukai's argument that the six great elements are the body of the Buddha depends on it. A five-element list is the Shingon scheme with its sixth term removed. 1Tradition: Kukai, Sokushin jobutsu gi
Status
Status Today
Living tradition, practised today 1
Learn More
Chi, the Earth of the Five Great

The Godai, the "five greats", are the five elements of Japanese esoteric thought, inherited from the Buddhist mahabhuta of India by way of China and given a distinctive form in the Shingon school of esoteric Buddhism. Chi, earth, is the first and densest, the element of solidity, stability and resistance, the ground, the body, all that has fixed form and cannot easily be moved, and by extension steadiness, stubbornness and confidence. In the five-element pagoda, the gorinto, that marks graves and reliquaries across Japan, earth is the lowest, cubic stone at the base, supporting the sphere, pyramid, crescent and jewel above it.

The scheme is also famous from Miyamoto Musashi's Book of Five Rings of the seventeenth century, whose chapters are named for the five. The Godai are an old and living part of Japanese Buddhist and cultural tradition, descending through the esoteric Buddhist transmission rather than being a modern construction, and earth is their foundation in both the literal and the symbolic sense.

Chi in the Gorinto and in Practice

The Godai find their best known physical form in the gorinto, the five ring or five element stupa built across Japanese Buddhist cemeteries and temple grounds from the Heian period onward. Each gorinto stacks five distinct shapes, one for each of the five, and Chi, earth, is carved as the lowest and heaviest: a plain cube, squat and load bearing, the base the other four rest upon. The shape is a direct statement of the element's character, solidity that supports rather than moves.

Earth's associated seed syllable in Shingon ritual is chanted and visualised in meditation on the gorinto form, part of a practice in which the practitioner identifies the layered stupa with the practitioner's own body, the cube of Chi corresponding to the region from the hips down. This bodily mapping is distinct from the architectural gorinto itself, which memorialises the dead by building the whole cosmos, in miniature, over a grave.

The swordsman and strategist Miyamoto Musashi organised his seventeenth century treatise, the Book of Five Rings, around the Godai, devoting a chapter each to Earth, Water, Fire, Wind and Void as approaches to combat and to life; his Earth chapter concerns groundwork, foundation and the overall orientation of a school of strategy, a martial reading of the same stability the element carries in its ritual and funerary forms.

Sources The Symbolism of the StupaAdrian Snodgrass with A Book of Five RingsMiyamoto Musashi, translated by Victor Harris

Cross-Tradition Connections

Originates in Language

Source Kukai: Major WorksYoshito S. Hakeda
Sanskrit, Languages
Source Kukai: Major WorksYoshito S. Hakeda

Symbolized By

One of the five seed syllables a, va, ra, ha and kha, which East Asian esoteric Buddhism assigns to the five elements and writes in Siddham on the five-tiered stone stupa. In that set a stands for earth.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.
Sources
1. Kukai: Major Works
Yoshito S. Hakeda, Columbia University Press, 1972introductionView the Source
The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014s.v. mahabhuta / godai; earth (chi)View the Source
The Symbolism of the Stupa
Adrian Snodgrass, Cornell University Southeast Asia Program (Studies on Southeast Asia), 1985
A Book of Five Rings
Miyamoto Musashi, translated by Victor Harris, The Overlook Press, 1974
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999Kukai and the Shingon transmission of the elemental doctrineView the Source
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