This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
The Juxtaposition Cross of Limitation is named here for Gate 60 and Gate 56, the acceptance of a real limit exposed ahead of the storyteller who draws on it. Its first article reads Gate 60 as the ground a real change must grow from, accepting a limit rather than fighting it, now the more exposed gate, and Gate 56 as the storyteller who stimulates others with ideas drawn from experience. What it does not trace is where the four gates sit on the wheel itself, the Human Design mandala's division of its sixty four gates into four Quarters, and by that measure this cross draws one gate from each of the four.
Gate 60, the personality gate here, falls in the Quarter of Mutation, purpose fulfilled through transformation. Gate 56, its personality partner, falls in the Quarter of Civilization, purpose fulfilled through form. Behind them, Gate 28 falls in the Quarter of Duality, purpose fulfilled through bonding, and Gate 27 falls in the Quarter of Initiation, purpose fulfilled through mind.
So the accepted limit and the drawn story the first article reads on this cross's surface answer to the arcs of transformation and form, while the worthy risk and the nourishing care beneath them answer to the arcs of bonding and mind, the same two design gates the Left Angle Cross of Alignment carries as its own personality half, and its own reversal, the Juxtaposition Cross of Stimulation, also draws on the same four arcs however its two pairs are assigned to personality and design. Four gates, four different Quarters, no pair sharing an arc: this cross draws its whole reading from every corner of the wheel's own purpose rather than concentrated in one.