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Sacred Correspondences
Hymns & Liturgical Texts

Ardas

Sikhism Hymns

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Origin Eighteenth century in its early form

The standing prayer, said before every undertaking and at the close of every Sikh ceremony, with the congregation on its feet and hands joined. It is the only major Sikh liturgical text that is not scripture, and it is the only one that is partly open.

Its structure is fixed in three movements. It opens with a stanza remembering the divine power and then naming the ten Gurus in order and the Guru Granth Sahib after them. It continues into a recital of the community's dead: those who kept faith under torture, who were cut apart limb by limb, scalped, broken on the wheel, sawn asunder; the women of the Mughal jails who watched their children killed and did not abandon their faith; those who fell defending gurdwaras. It asks that Sikhs be granted the gift of the Name, of faith, and of the sight of Amritsar. And it ends by asking for the good of all.

Then it opens. After the fixed portion, whoever is leading states the specific occasion, a birth, an illness, a journey, a business begun, an examination, a house moved into, in plain language, and the congregation answers. This is why the Ardas is said before almost anything, and why it does not sound like a formula when it is said. The fixed part supplies the memory and the frame; the variable part supplies the reason anyone is standing there.

It is the community remembering itself out loud, and it is said in this form daily by Sikhs who have no personal connection to any of the events it names. The recital of the martyrs is not history recited for information. It is the ground on which the petition that follows is made.

The Sikh Rehat Maryada sets out its wording, which was standardised in the twentieth century after considerable local variation. The opening line invoking bhagauti is understood in mainstream Sikh commentary as the divine power, and by some readers as the sword that stands for it; it is not read as the goddess Bhagavati.

Facts
Origins
Origin PeriodSourced to the subject's own account
Eighteenth century in its early form 1
Origin PeriodSourced to the subject's own account
Standardised in the twentieth by the Rehat Maryada 1
LanguageSourced to the subject's own account
Gurmukhi / Punjabi 1
Language
Braj Bhasha 1
Sourced to the subject's own accountBraj Bhasha, in the opening stanza
Attributed Author / CompilerSourced to the subject's own account
Composite: the opening stanza is attributed to Guru Gobind Singh, the remainder is community composition standardised in the twentieth century 1
Practice
Who Performs ItSourced to the subject's own account
All adherents of the tradition 1
Frequency
Several times a day 1
Sourced to the subject's own accountAt the close of every congregational service and of most personal undertakings
Solitary or Communal
Performed by a gathered group 1
Sourced to the subject's own accountSaid standing, by the whole congregation, with a leader speaking the clauses
Use
What It Is Used For
Petition: asks for something 1
Sourced to the subject's own accountPetition: the standing supplication of the Sikh community
Form
Form of the TextSourced to the subject's own account
Prayer 1
Learn More
The Standing Prayer

Ardas is the formal Sikh supplication said standing, with hands folded, before every significant undertaking and at the close of every act of worship and ceremony. Unlike the fixed scriptural compositions of the daily prayers, the Ardas has a partly set and partly variable form: it opens with an invocation recalling God and the ten Gurus, moves through a remembrance of the sacrifices and martyrs of Sikh history and of the community's collective memory, and closes with petitions for the present congregation and for the welfare of all humanity, often adapted to the particular occasion. Recited by one person on behalf of the assembled sangat, who stand and respond, it is the moment at which the community formally places its undertaking or its worship before God and seeks the divine blessing. In its recollection of the whole sweep of Sikh history and its closing prayer for the good of all, the Ardas gathers the community's identity and hope into a single act of standing prayer.

The variable central portion of the Ardas is where individual gurdwaras and families insert petitions specific to their own occasion, a wedding, a recovery from illness, the anniversary of a death, so that the same fixed opening and closing frame a different personal content at every recitation, a structure that lets a single standardized prayer serve an enormous range of individual and communal purposes. Because it is recited standing with the whole congregation joining in supporting responses, the Ardas is also one of the clearest moments in Sikh worship where private petition and public congregational practice visibly merge into a single act.

A Prayer with a Blank Space Built into It

Unlike most fixed liturgical texts, Ardas is structured with an expected space for local and contemporary insertion: its middle portion traditionally invites the person leading the prayer to name current community concerns, the sick who need healing, significant recent events, or particular occasions relevant to that specific congregation on that specific day, before the prayer returns to its fixed closing portion, so reciting Ardas in different gurdwaras on the same day can differ meaningfully in this middle section even while the fixed opening and closing sections remain constant everywhere, a deliberately built in flexibility uncommon among the other daily and ceremonial texts recorded in this atlas.

A specific and ongoing point of discussion within recent Sikh practice concerns the commemorative section recalling past sacrifice and struggle, traditionally phrased in language emphasizing male historical figures and using masculine grammatical forms throughout, which some Sikh institutions, scholars and diaspora communities have in recent years proposed revising to explicitly include women's historical contributions and to use more gender inclusive language, a live and not fully settled debate about how far a text with this kind of fixed communal, ceremonial standing should or can be revised at all, given that Ardas functions simultaneously as spontaneous, locally adaptable prayer in its middle section and as fixed, memorized communal text in its opening and closing sections, so different parts of the very same prayer are treated as having quite different degrees of openness to revision.

Cross-Tradition Connections

Addressed To

Waheguru, Deities
Source Sikh Rahit Maryada, the Sikh Code of ConductShiromani Gurdwara Parbandhak Committeethe holders' own account

Authored By

Composite text; the opening invocation is attributed to Guru Gobind Singh

Source Guru Granth SahibCompiled by Guru Arjan, 1604; final recension attributed to Guru Gobind Singh, 1706the holders' own account

Belongs to Tradition

Sikhism, Religions
Source Sikh Rahit Maryada, the Sikh Code of ConductShiromani Gurdwara Parbandhak Committeethe holders' own account

Element Of

Khalsa, Denominations

Said standing with hands joined at the close of every ceremony and before every undertaking.

Source Sikh Rahit Maryada, the Sikh Code of ConductShiromani Gurdwara Parbandhak Committeethe holders' own account

Originates in Language

Related To

Sarbat da Bhala is the closing petition of the Ardas, catalogued in this atlas as a hymn in its own right.

Source Guru Granth SahibCompiled by Guru Arjan, 1604; final recension attributed to Guru Gobind Singh, 1706the holders' own account
Sources
1. Sikh Rahit Maryada, the Sikh Code of Conduct
Shiromani Gurdwara Parbandhak Committee, Shiromani Gurdwara Parbandhak Committee, 1945Sikh Rahit Maryada, on the Ardasthe holders' own accountView the Source
1. Sikh Rahit Maryada, the Sikh Code of Conduct
Shiromani Gurdwara Parbandhak Committee, Shiromani Gurdwara Parbandhak Committee, 1945The text and form of the Ardasthe holders' own accountView the Source
The Encyclopaedia of Sikhism
Harbans Singh (editor-in-chief), Punjabi University, Patiala, 1998Entry on ArdasView the Source
Sikhism
W. H. McLeod, Penguin Books, 1997McLeod, SikhismView the Source
Guru Granth Sahib
Compiled by Guru Arjan, 1604; final recension attributed to Guru Gobind Singh, 1706, Shiromani Gurdwara Parbandhak Committee, 1604the holders' own accountView the Source
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