Divinity Atlas

Sacred Correspondences
Lords of the Night

Mictlantecuhtli

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Origin Attested in the central Mexican books of fate painted before and shortly after the Spanish conquest

The fifth of the nine Lords of the Night (Yohualteuctin), the deities who accompany the days of the tonalpohualli in an unending rotation of nine, each lending his or her character to the fate read for a birth. Mictlantecuhtli, lord of Mictlan, rules the deepest place in the series, its midpoint. He is the skeletal lord of the ninefold underworld to which most of the dead travelled, and his night lays that country's stillness over the day he accompanies. The dog day Itzcuintli, whose patron he also is, binds the day count to his realm.

Facts
Origins
Origin Period
Attested in the central Mexican books of fate painted before and shortly after the Spanish conquest 1
Place of Origin
Central Mexico. The painted books that carry the sequence come from the Basin of Mexico and the Mixteca-Puebla region. 1
Origin of the Name
Nahuatl Mictlan, the place of the dead, with tecuhtli, lord. 2
Language
Nahuatl 2
Identity
Position
5 of 9 1
Sources
Primary Source
The nine accompany the day count in the central Mexican divinatory books, among them the Codex Borbonicus and the Codex Borgia. 1
Attestation
Meaning in the Attesting Source
Lord of Mictlan, the skeletal ruler of the ninefold underworld. 1Tradition: Aztec
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1
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Mictlantecuhtli, Lord of the Ninefold Underworld

Mictlantecuhtli is the skeletal ruler of Mictlan, the underworld of the dead, and the fifth of the nine Lords of the Night, his place at the numeric centre of the sequence matching his standing as lord of the place the dead must cross through in nine stages before reaching final rest, a structure the Nahua underworld and the nine fold night count share, though the sources do not explicitly say one was built to mirror the other. He rules Mictlan alongside his consort Mictecacihuatl, and the Legend of the Five Suns, recorded in the Leyenda de los Soles and related colonial texts, casts him as the keeper of the bones of earlier human generations, the precious bones that Quetzalcoatl travels into Mictlan to steal or beg in order to grind them with his own blood and create the people of the present age, a myth in which Mictlantecuhtli tries to prevent the theft and very nearly succeeds. He is shown in the codices with a skull face, exposed rib cage and clawed hands, presiding over a realm the dead of ordinary causes, as opposed to those claimed by water or in battle, were understood to travel toward across four years of trials. Sahagun's informants describe funeral rites addressed to easing this journey, offerings of a dog to guide the soul and provisions bound with the body, practices that assume Mictlantecuhtli's court as a real destination requiring real preparation rather than a metaphor.

Sources Florentine Codex: General History of the Things of New SpainBernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble with History and Mythology of the Aztecs: The Codex ChimalpopocaJohn Bierhorst (trans.)

Mictlantecuhtli's Night and the Count of Nine

Mictlantecuhtli occupies the fifth and central position in the sequence of night lords, recurring every ninth day beginning from day five of the 260 day tonalpohualli, a placement later commentators have read as fitting for the lord of the underworld to sit at the numeric middle of a nine part rotation, midpoint between Xiuhtecuhtli's opening fire and Tlaloc's closing rain. A date falling under his night was read as carrying a weightier, more dangerous character within the layered system the tonalpouhque worked, tempering or darkening the day sign and trecena's own reading, though Sahagun's text is careful to record that a difficult night lord did not condemn a birth outright, since the trecena's patron and the day sign's own augury carried at least equal weight and a skilled reader balanced all three registers together rather than fixing on one.

Because the nine day night lord cycle and the 260 day tonalpohualli share no common factor, Mictlantecuhtli's turn moves through every day sign and every trecena across the full 2340 day period before the combination repeats, so no single day sign belonged permanently to the death lord; the calendar priests tracked his recurring dates from the tonalamatl tables exactly as they tracked the other eight, a plain administrative reading of a fixed, memorised rotation rather than a special divinatory procedure reserved for him alone.

Sources Cycles of Time and Meaning in the Mexican Books of FateElizabeth Hill Boone with Florentine Codex: General History of the Things of New SpainBernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble

Cross-Tradition Connections

Also Modeled As

The fifth night lord and this deity entry name the same figure, Mictlantecuhtli.

Associated With

Sources
1. Cycles of Time and Meaning in the Mexican Books of Fate
Elizabeth Hill Boone, University of Texas Press, 2007View the Source
2. An Illustrated Dictionary of the Gods and Symbols of Ancient Mexico and the Maya
Mary Miller and Karl Taube, Thames and Hudson, 1993View the Source
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