Sabian Symbols
Aquarius 13
Zodiac Degree
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The wording of the Sabian symbol for this degree is not reproduced here. The phrasing in general circulation is Dane Rudhyar's, from An Astrological Mandala (1973), and stays in copyright until 2069. The atlas has withheld its own reading of the degree along with it, because that reading followed the copyrighted image closely enough to stand in for it. What remains is the degree itself, its sign, its decan and its term, which are facts about the zodiac and belong to nobody.
Facts
Correspondences
Decan RulerChaldean/Hellenistic decan-face order. Structure
DecanSecond Decan of Aquarius 2 The 11 to 20 degree arc of Aquarius. Reading Keys
TermVenus's term (roughly the 8th-13th degree of Aquarius) 1 Learn More
A Tastefully Furnished Room, with a Large Wax Candle on a Round
Counting from Aquarius's start, this is the thirteenth degree, placing it in the sign's second decan. Its decan is ruled by Mercury rather than Saturn, which colors the degree with something Aquarius does not supply on its own. The narrower term division belongs to Venus, a still finer layer of rulership laid across the sign and decan. Aquarius is fixed air, a stubborn commitment to an idea or a group rather than to a single feeling.
A separate nineteenth century source gives this degree its own picture. Charubel's 1898 sequence, unconnected to the later Sabian material, records a tastefully furnished room, with a large wax candle on a round table in centre. This degree's origin lies in 1925, in Balboa Park, San Diego, where Marc Edmund Jones and the clairvoyant Elsie Wheeler drew all 360 cards blind, one at a time, in no planned order. Jones did not publish the results until 1953. The interpretation most widely read since then is Dane Rudhyar's 1973 rewrite, An Astrological Mandala, and because that text is still under copyright it is not quoted here. The value of a degree like this is less in prediction than in placement, a way of locating a moment precisely inside Aquarius's broader arc.
Aquarius 13: The Candle on the Round Table
Charubel's image for this degree is comfort deliberately arranged: a tastefully furnished room, with a large wax candle on a round table in centre. Every element has been chosen rather than merely accumulated, since tasteful furnishing implies selection and rejection both, and the candle is large, wax rather than tallow, meaning costly and clean burning, set at the exact centre of a round table where light and attention can reach every side of the room equally. A round table has its own old symbolism of gathered equals, no head of the table to claim precedence, and a candle at its centre lights every seat the same amount.
Read at the thirteenth degree of Aquarius the picture describes the sign's domestic ideal, a circle of association lit evenly, warmly and with evident care taken over the setting, proof that Aquarius's famous concern for groups and collectives is not only abstract but can be made as intimate and as well appointed as a single well lit room. The single candle is also a caution folded into the comfort, since one flame lighting a whole gathering is a single point of failure, and a draft, a long evening, or simple inattention can let it gutter while the room grows slowly darker without anyone noticing at first. The shadow readings are elegance as substitute for warmth, taste without welcome, and a light left untended past its wick's endurance. On a natal Venus or Moon this degree tends to mark gracious hosts of real circles and communities, and its counsel is a housekeeper's: trim the wick, and keep watching the table you lit for others.
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