Aries 5

One further source stands apart from the Jones and Rudhyar material entirely. Charubel's 1898 degree symbols, compiled well before Balboa Park, give this degree a large iron cross lying on the ground. All looks dark, sad, and gloomy. There is perfect stillness in the scene; not a ruffle; not a sound of any kind. It falls in the first decan of Aries (degrees 1 to 10), and is Aries's fifth degree. Its decan is ruled by Mars, Aries's own planet, reinforcing rather than complicating the sign's usual character.

The narrower term division belongs to Jupiter, a still finer layer of rulership laid across the sign and decan. The original session behind this degree took place in 1925, when Marc Edmund Jones and the clairvoyant Elsie Wheeler drew all 360 cards blind, in Balboa Park, San Diego, one degree at a time. Jones printed his results in 1953. The phrasing that most sites and books repeat, though, comes from Dane Rudhyar's 1973 rewrite, An Astrological Mandala, which remains under copyright and is not reproduced here. Aries opens the zodiac with unmediated initiative, action taken before it has been talked over or shaped by circumstance. The point of tracking a degree this closely is not to predict an event but to place it exactly within Aries's span.

The picture already quoted for this degree comes from John Thomas, 1826 to 1908, a Welsh nonconformist minister who devoted his later life to astrology and clairvoyance under the name Charubel. His 1898 book, The Degrees of the Zodiac Symbolised, gave nearly every one of the 360 degrees its own image, decades ahead of the 1925 Balboa Park session that produced the material now read through Dane Rudhyar's 1973 rewrite. Charubel was not the first to individuate the degrees, only the first to do it pictorially and in English.

The Hellenistic writer Vettius Valens had already split each sign into three planetary faces in a fixed rotation, which is why this degree still carries Mars as its decan, and Ptolemy's Tetrabiblos separately assigns unequal bounds among five planets, giving this degree its Jupiter term, neither system needing a picture since both were assigning rulers rather than scenes. A complete pictorial set, one image for every degree, first survives whole in 1494, in Johannes Angelus's Latin Astrolabium Planum, public domain but never usably translated without incurring a translator's own rights. Charubel worked without reference to any of this, and the Sabian material that followed him drew on him no more than it drew on Valens or Ptolemy. Practically, this degree's narrow focus is generally used to time a life event through secondary progressions or to flag two charts sharing the same point in synastry, applications that belong to the twentieth century rather than to the antique decan and bound system running underneath it.