Divinity Atlas

Sacred Correspondences
Sacred Art & Iconography

Diptych of Kamala and Bhairavi (Calcutta Art Studio)

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A chromolithograph diptych published by the Calcutta Art Studio around 1885 to 1895, the last of a set of five sheets depicting the Ten Mahavidyas, two goddesses to a sheet, named at the base in Bengali, English and Hindi. The left field shows Kamala (Kamalatmika), the tenth and most benign Mahavidya, closely associated with Lakshmi and typically shown seated on a lotus and attended by elephants pouring water over her, a form of auspicious abundance closing the Mahavidya cycle. The right field shows Bhairavi, seated on a lotus above water and wearing a garland of skulls, the fierce feminine counterpart to Bhairava, Shiva's destructive aspect, embodying the principle of destruction as a necessary part of the cosmic order. Part of the same series later exhibited by the Metropolitan Museum of Art in "Household Gods: Hindu Devotional Prints, 1860-1930".

Facts
Physical Form
Medium
Chromolithograph 1
Origins
Creation
1885 to 1895 1
Country
India 2
Custody
Current Location
The Metropolitan Museum of Art, New York 2
Current Custodian
The Metropolitan Museum of Art 2
Subject Matter
Depicted Subject
Kamala (left field) and Bhairavi (right field), two of the Ten Mahavidyas. 2
Rights and Reproduction
Reproduction and Copyright
This atlas describes and cites the print rather than reproducing an image of it. 2
Cross-Tradition Connections

Associated With

Bengali, Languages

This source names Bengali directly: "to a sheet, named at the base in Bengali, English and Hindi."

Bhairava, Deities

This source names Bhairava directly: "the fierce feminine counterpart to Bhairava, Shiva's destructive aspect, embodying the principle of destruction as a necessary part of the cosmic order."

Hindi, Languages

This source names Hindi directly: "at the base in Bengali, English and Hindi."

Lakshmi, Deities

This source names Lakshmi directly: "Mahavidya, closely associated with Lakshmi and typically shown seated on a lotus and attended by elephants pouring water over her, a form of auspicious abundance closing the Mahavidya cycle."

Lakshmi, Figures

This source names Lakshmi directly: "Mahavidya, closely associated with Lakshmi and typically shown seated on a lotus and attended by elephants pouring water over her, a form of auspicious abundance closing the Mahavidya cycle."

Depicts

Sources
1. When India Reinvented Prints, New York Review of Books
Andrew Raftery, The New York Review of Books, 2026
2. Kamala and Bhairavi, The Metropolitan Museum of Art
The Metropolitan Museum of ArtView the Source
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