The Yasna is the principal act of Zoroastrian worship, and the preparation and consecration of haoma is its centre. The ceremony is performed by ordained priests in a consecrated space, and the whole seventy two chapter liturgy that gives the Yasna its name is recited over it. This is living practice, carried out in Zoroastrian communities today, and it is described here rather than set out as a procedure.
Yasna 9 to 11 form the Hom Yasht, the hymn to Haoma, and they are unusual in the Avesta for being a dialogue. Haoma comes to Zarathushtra at the hour of the morning ritual, in the shape of a beautiful man, and asks to be pressed. Zarathushtra asks who first pressed him and what reward it brought, and the answers run back through a line of legendary fathers, each of whom pressed haoma and each of whom was given a famous son. The hymn is therefore also a genealogy of Iranian legend told from the point of view of the plant.
What Haoma is praised for is specific. He heals; he drives off sickness and death; he grants strength to the body and insight to the mind; he gives good and righteous children. He is called the golden, and he is asked for the reward of the best existence. Set against that, he is also the one being in the Avesta who is both the object of the sacrifice and its recipient, since the juice is offered to him and is him.
A future pressing carries the largest claim of all. At the renovation of the world, a haoma described as white and drawn from a plant of the sea is to be prepared, and those raised from the dead will drink it and become immortal.