Scripture Portions
Ramkali
Also Known As Ramakali (Punjabi)Original Term Rag Ramkali (Sant Bhasha)
Guru Granth Sahib
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One of the largest and most consequential sections. It carries the long composition of Guru Amar Das on the state of bliss, sung at the close of Sikh gatherings; Guru Nanak's dialogue with the yogis, in which he answers the Nath ascetics on their own ground and refuses their premises; his long alphabetical meditation; and the var of Satta and Balwand, the court musicians, which is the earliest account of the succession of the Gurus from inside the community.
Facts
Origins
LanguageSant Bhasha (Gurmukhi script) 2Tradition: Sikhism Language DetailSant Bhasha, the composite devotional register of northern India, with Punjabi, Braj, Sanskritic, Persian and Arabic elements in proportions that vary from hymn to hymn; written throughout in Gurmukhi script 2Tradition: Sikhism Identity
Parent WorkSourced to the subject's own account Position in the CanonSourced to the subject's own accountRag section 18 of 31, in the fixed order that every copy of the Guru Granth Sahib follows 1Tradition: Sikhism Structure
StructureCarries Guru Amar Das's composition on the state of bliss, Guru Nanak's dialogue with the Nath yogis, and the var of the court musicians Satta and Balwand 3Tradition: Sikhism Form
Musical ModeA measure long associated with ascetics and with the Nath yogis, and one of the most heavily worked in the Granth 3Tradition: Sikhism Learn More
The Section With the Dialogue and the Bliss
Ramkali is one of the largest and most consequential sections in the volume, and it carries several of the compositions best known outside the rag arrangement.
The long composition of Guru Amar Das on the state of bliss stands here, and is sung at the close of Sikh gatherings, so that a person who has attended one has heard the opening of it whether or not they know where it sits. Guru Nanak's dialogue with the Nath yogis is here too, conducted in the ascetics' own vocabulary and answering them on their own ground while declining their premises, which makes it one of the most detailed records of an actual religious argument anywhere in the volume. So is his long alphabetical meditation.
And here stands the var of Satta and Balwand, the musicians of the Gurus' court, which is not by a Guru and is the earliest account of the succession composed from inside the community. Its presence in the scripture is remarkable on its own terms: a work about the Gurus, by employees of the Gurus, admitted into the volume the Gurus compiled.
The measure suits its contents. Ramkali carries an association with ascetics and with the Nath tradition in particular, which makes the choice of it for a dialogue with the Naths a deliberate and slightly pointed one.
Answering the Yogis in Their Own Terms
The dialogue in this section is worth describing carefully, because it shows the Gurus' method under pressure from an articulate opposing tradition rather than in the open.
The Nath yogis were a serious and well-organised movement with a technical vocabulary, a body of practice and a claim to attainment that could be demonstrated. They were not a straw target. The composition presents them asking direct questions, about lineage, about attainment, about the practices that produce it, and the answers come back in their vocabulary rather than around it.
What the answers refuse is the premise that attainment requires withdrawal. The claim made is that the same thing is available inside ordinary life, among a household and a trade, without the apparatus and without leaving. That is the position the whole volume takes, and here it is argued rather than asserted, against interlocutors who are given real questions to ask.
The wider significance is that this is one of the few places in the Granth where another tradition is present as a voice rather than as a subject. The volume is generally uninterested in polemic; it addresses religious professionals frequently but rarely names a school and almost never stages an exchange. The exception is instructive: when the Gurus did argue, they argued in the terms of the people they were arguing with.
Cross-Tradition Connections
Contained In
Source Guru Granth SahibCompiled by Guru Arjan, 1604; final recension attributed to Guru Gobind Singh, 1706the holders' own account Originates in Language
The Granth's register is composite. Punjabi is the base and the script is Gurmukhi, but Braj, Sanskritic, Persian and Arabic vocabulary run through it.
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