Divinity Atlas

Sacred Correspondences
Tarot

Knight of Coins

Minor Arcana

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Rider-Waite-Smith
Tarot de Marseille
Thoth

The Knight of Coins is the active, questing force of Earth, the most patient and steady of the knights. In Pamela Colman Smith's drawing he sits on a stationary black horse in a ploughed field, holding a single coin and looking out over the land. As a person he is reliable, methodical, hardworking, and true to his word; as an influence he brings slow, sure progress and routine faithfully kept. Upright he means diligence, responsibility, and dependable follow-through; reversed he warns of dullness, stagnation, stubbornness, or work grown so cautious it never moves.

Facts
Identity
Arcana
Minor, court 1
Suit
Coins 1
Element
Earth 1
Rank
Knight 1
Across the Decks
Rider-Waite-SmithSourced to the subject's own account
Knight of Pentacles 2
MarseilleSourced to the subject's own account
Cavalier de Deniers 3
ThothSourced to the subject's own account
Prince of Disks 4
Reading Keys
UprightSourced to the subject's own account
Reliability, patience, hard work, routine 2
ReversedSourced to the subject's own account
Boredom, stagnation, laziness 2
Attributions
Golden Dawn TitleSourced to the subject's own account
The Prince of the Chariot of Earth 5
AstrologySourced to the subject's own account
20 Leo - 20 Virgo 5
Elemental PairingSourced to the subject's own account
Air of Earth 5
Learn More
The Card and Its Imagery

The four tarot traditions do not agree on how many kinds of court card there are or what to call them, and the Knight of Coins is a useful case for seeing the disagreement plainly. The Tarot de Marseille has four ranks, Roi, Dame, Cavalier and Valet, King, Queen, horseman and page in English, essentially the same four positions Waite kept under English names. The Golden Dawn and, following it, Crowley and Harris's Thoth deck restructured the court into Knight, Queen, Prince and Princess, with the mounted Knight promoted to head the suit in place of a king and the seated Prince taking a position roughly equivalent to Waite's King.

Within Waite's own four-rank scheme, the Knight of Coins is read as the earth suit's active or questing force, and Pamela Colman Smith gave him the stillest horse of the four knights, standing rather than moving, in a ploughed field rather than open country. The contrast with the other three knights, Wands at a gallop, Cups at an ambling walk, Swords at full charge, is deliberate: the sequence of horses across the suits is usually read as a graded scale of pace matched to each element, fire fastest and earth slowest.

Crowley's Thoth Knight of Coins abandons Smith's genre scene for an armored figure in a chariot drawn by a bull, part of Harris's consistent geometric reworking of the small court cards, and keeps the sense of methodical, unhurried force.

Reading the Card

Upright the Knight of Coins is read as reliability, routine and hard work carried through without drama; reversed, as stagnation, an inflexibility that has stopped serving anyone, or work so cautious it never actually advances.

Court cards carry a double reading that the numbered pips do not: as a person, and as an influence or approaching quality rather than a person at all. As a person, the Knight of Coins is conventionally read as dependable to a fault, a colleague or partner who finishes what he starts but rarely surprises anyone; as an influence, the same card describes a period defined by patient, unglamorous progress rather than by any single event.

This is also the court card most often cited in discussions of the suit's reputation generally, since earth-suit court cards as a group are read, across all four ranks, as the most literally practical of the sixteen, concerned with money, work and material competence rather than ideas, feeling or action for its own sake. Where the Knight of Wands is read as impulsive and the Knight of Swords as reckless, the Knight of Coins is their opposite case, and readers commonly use him specifically to signal that a matter will be resolved by steady application rather than by a decisive stroke.

His reversed reading is correspondingly a caution against mistaking caution itself for progress, plodding work that has quietly stalled while still looking, from a distance, like diligence.

Cross-Tradition Connections

Associated With

Sources
1. The Game of Tarot: From Ferrara to Salt Lake City
Michael Dummett, Duckworth, 1980Part I, on the standard patterns and the regional trump ordersView the Source
2. The Pictorial Key to the Tarot
Arthur Edward Waite, William Rider & Son, 1910The Pictorial Key to the Tarot, on the cards and their meaningsView the Source
3. Le Tarot de Marseille
Paul Marteau, B.-P. Grimaud, 1930Le Tarot de Marseille, on the card titles of the standard pattern
4. The Book of Thoth
Aleister Crowley, Samuel Weiser Inc, 1944The Book of Thoth, on the titles of the seventy-eight cardsView the Source
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Book T and the tables of correspondenceView the Source
Pamela Colman Smith: The Untold Story
Stuart R. Kaplan, with Mary K. Greer, Elizabeth Foley O'Connor and Melinda Boyd Parsons, U.S. Games Systems, 2018Catalogue of the 1909 Rider deck drawings, s.v. Knight of CoinsView the Source
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