Divinity Atlas

Sacred Correspondences
Tzolkin Tones

Crystal

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Origin 1987 to 1990

Tone Twelve is the twelfth of the thirteen numbers of the Tzolkin, the 260-day Maya sacred calendar. As the number twelve, it gathers and stabilizes what remains after release, bringing things together into a shared, understood whole. In the traditional count the number simply modifies its day sign, but in the modern Dreamspell system of Jose Arguelles (1987) it is named the Crystal tone, expressing cooperation and clarity: the stage at which dedication crystallizes into clear, cooperative understanding shared with others. It is read as the moment of crystallization, when scattered pieces come together into a stable, transparent form of common understanding, ready for the final completion.

Facts
Origins
Origin Period
1987 to 1990 2Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
250 to 900 CE 1Tradition: Classic Maya inscriptions
Origin Period
600 BCE to 250 CE 1Tradition: Preclassic Mesoamerican inscriptions
Origin Period
Crystal is the twelfth of the thirteen Dreamspell tone names, but the coefficient it labels, the plain number twelve running through the Tzolkin's thirteen day trecena, is genuinely ancient Maya, attested on Classic Maya monuments from 250 to 900 CE and rooted further back in Preclassic use of the day count. The name Crystal carries none of that antiquity: it is one of the thirteen Galactic Tone names Jose Arguelles coined for his Dreamspell system, announced at the Harmonic Convergence of 1987 and published in worked out form in 1990. 2
Place of Origin
Mesoamerica. Among the Maya, the lowlands of the Yucatan peninsula, Guatemala, Belize and Chiapas, and the Guatemalan highlands. 1
Origin of the Name
Daykeepers reckon by the number itself 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
In the living Kiche count this coefficient is simply the number twelve, kablajuj 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
The name recorded here, Crystal, is one of the thirteen Galactic Tone names coined by Jose Arguelles for the Dreamspell in 1987. It is an English coinage, not a Maya term, and the Maya count has no names for its coefficients at all. 2Tradition: Dreamspell (José Argüelles, 1987)
Language
Kiche Maya 3
Language
English 2
Identity
Position
12 of 13 1
Meaning
Themes
Cooperation, understanding 1
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1Tradition: Classic Maya inscriptions
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 2Tradition: Dreamspell (José Argüelles, 1987)
Status Today
Living tradition, practised today 3
Attestation
Meaning in the Attesting Source
The coefficient is the number twelve running against the twenty day signs, and it is the day twelve of the thirteen-day trecena the day sign opens. It carries no name. 3Tradition: Highland Maya daykeeping in Guatemala
Contested Use
Contested or Appropriated Modern Use
This page's own title is the Dreamspell tone name Crystal, and the keyword beside it is the Dreamspell keyword. Both belong to a system devised in 1987 and neither is Maya; the Maya coefficient is the bare number twelve. 2
Learn More
The Twelfth Tone of the Tzolk'in

This is the twelfth of the thirteen numbers, or tones, that combine with the twenty day signs to build the 260-day Tzolk'in. In living Maya daykeeping the coefficient is simply the number twelve, kablajuj, near the end of the thirteen-day trecena, often felt as a day of gathering and understanding what the period has brought. The name recorded here, Crystal, and its keyword of cooperation and understanding belong to the modern Dreamspell system of Jose Arguelles, a New Age framework from the 1980s distinct from traditional Maya practice; the daykeepers reckon by the number itself. The authentic element is the coefficient twelve and its place in the pairing of thirteen numbers with twenty day signs that generates the 260 distinct days of the sacred count.

The twelfth of the thirteen numbers that combine with the twenty day signs to generate the Tzolk'in's 260-day count, marking the twelfth day of its trecena, immediately before the cycle's completion. Contemporary K'iche' daykeepers generally read the final days of a trecena as carrying the accumulated character of the whole thirteen-day period, a culmination of what began at the trecena's first day, rather than treating each number as a wholly self-contained unit disconnected from its position in the broader thirteen-day sequence, a holistic reading consistent with how the Tzolk'in is used in practice for both personal-name calculation and communal ceremonial timing.

Sources Time and the Highland MayaBarbara Tedlock with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

The Coefficient Twelve in the Count

Twelve is written as two bars and two dots, and it is the penultimate day of a trecena. There is no Maya cycle of twelve in the calendar, which is worth noting because a reader arriving from the European zodiac or the Chinese branches may expect one; the Maya periods are five, nine, thirteen, twenty, 260 and 365.

That difference in the basic numbers is a good guard against false equivalence. The twenty-eight Chinese xiu, the twenty-seven Indian nakshatras and the twenty-eight Arabic manazil are all lunar mansion systems and can be compared with care; the Tzolk'in is not a lunar system at all and has no counterpart outside Mesoamerica.

Maya numerals are written with a dot for one and a bar for five, and the coefficient of a day is written in exactly that way in the inscriptions, set beside the day sign in its cartouche. The system is positional and includes a sign for zero, which is why the Long Count can be written as a string of places, but within the 260-day count no number above thirteen ever occurs and the notation stays simple.

Crystal, the name attached to this coefficient in modern popular writing, comes from Jose Arguelles's Dreamspell of 1987. The atlas records the Dreamspell as a modern invention with a named author and a date, and records the Tzolk'in as an ancient count still kept, and does not allow either description to borrow the other's authority.

Sources Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

Cross-Tradition Connections

Contained In

Tzolkin, Calendars

One of the thirteen numbers the count runs against the twenty day signs.

Originates in Language

Sources
1. The Maya (9th edition)
Michael D. Coe and Stephen Houston, Thames and Hudson, 2015ch. on Maya arithmetic, writing and the calendarView the Source
2. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006Dreamspell tone name Crystal: part of Jose Arguelles's 1980s New Age system (The Mayan Factor; Dreamspell), a modern reinterpretation distinct from the traditional Maya day-count.
3. Time and the Highland Maya
Barbara Tedlock, University of New Mexico Press (revised edition), 1992Coefficient 12 (kablajuj) in K'iche' daykeeping; the 13-day trecena and 13x20 pairing that yields the 260-day count of the highland Guatemala ajq'ij.
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