Divinity Atlas

Sacred Correspondences
Tzolkin Tones

Electric

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Origin 1987 to 1990

Tone Three is the third of the thirteen numbers of the Tzolkin, the 260-day Maya sacred calendar. As the number three, it is the first rhythm, the movement that arises once unity has met its polarity, setting things into motion. In the traditional count the number simply modifies its day sign, but in the modern Dreamspell system of Jose Arguelles (1987) it is named the Electric tone, expressing activation and service: the spark that connects and bonds, putting the tested intention into active motion. It is read as the stage of activation, when energy begins to flow outward and the aim is set to work in service of something beyond itself.

Facts
Origins
Origin Period
1987 to 1990 2Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
250 to 900 CE 1Tradition: Classic Maya inscriptions
Origin Period
600 BCE to 250 CE 1Tradition: Preclassic Mesoamerican inscriptions
Origin Period
Electric is the third of the thirteen Dreamspell tone names, but the coefficient it labels, the plain number three running through the Tzolkin's thirteen day trecena, is genuinely ancient Maya, attested on Classic Maya monuments from 250 to 900 CE and rooted further back in Preclassic use of the day count. The name Electric carries none of that antiquity: it is one of the thirteen Galactic Tone names Jose Arguelles coined for his Dreamspell system, announced at the Harmonic Convergence of 1987 and published in worked out form in 1990. 2
Place of Origin
Mesoamerica. Among the Maya, the lowlands of the Yucatan peninsula, Guatemala, Belize and Chiapas, and the Guatemalan highlands. 1
Origin of the Name
In the living Kiche count this coefficient is simply the number three, oxib'. Daykeepers reckon by the number itself. 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
The name recorded here, Electric, is one of the thirteen Galactic Tone names coined by Jose Arguelles for the Dreamspell in 1987. It is an English coinage, not a Maya term, and the Maya count has no names for its coefficients at all. 2Tradition: Dreamspell (José Argüelles, 1987)
Language
Kiche Maya 3
Language
English 2
Identity
Position
3 of 13 1
Meaning
Themes
Activation, service 1
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1Tradition: Classic Maya inscriptions
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 2Tradition: Dreamspell (José Argüelles, 1987)
Status Today
Living tradition, practised today 3
Attestation
Meaning in the Attesting Source
The coefficient is the number three running against the twenty day signs, and it is the day three of the thirteen-day trecena the day sign opens. It carries no name. 3Tradition: Highland Maya daykeeping in Guatemala
Contested Use
Contested or Appropriated Modern Use
This page's own title is the Dreamspell tone name Electric, and the keyword beside it is the Dreamspell keyword. Both belong to a system devised in 1987 and neither is Maya; the Maya coefficient is the bare number three. 2
Learn More
The Third Tone of the Tzolk'in

This is the third of the thirteen numbers, or tones, that combine with the twenty day signs to form the 260-day Tzolk'in. In living Maya daykeeping the coefficient is simply the number three, oxib', and in the rhythm of the trecena, the thirteen-day period a day sign opens, the third day is often associated with action and service set in motion. The name recorded here, Electric, and its keyword of activation belong to the modern Dreamspell system of Jose Arguelles, a New Age framework from the 1980s that is distinct from the Maya calendar and not part of traditional daykeeping. The daykeepers reckon by the number itself. The authentic element is the coefficient three and its role in the interlocking of thirteen numbers with twenty day signs that generates the 260 unique days of the sacred count.

The third of the thirteen numbers that combine with the twenty day signs to generate the Tzolk'in's 260-day count, marking the third day of its trecena, the thirteen-day period formed as a fixed sign's number counts upward from one to thirteen before the day sign itself advances to the next in sequence. The widely circulated Dreamspell name for this position, "Electric," is not a traditional Maya term; it comes from Jose Arguelles's 1987 system, which layers its own invented tone vocabulary onto a structurally similar but numerically distinct 260-day count that does not stay synchronised with the authentic Tzolk'in over time, since the Dreamspell calendar skips the Gregorian leap day while the true Tzolk'in count, kept unbroken by living daykeepers, does not.

Sources Time and the Highland MayaBarbara Tedlock with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

The Coefficient Three in the Count

Three is written as three dots, and the third day of a trecena is the last that can be written in dots alone before the count reaches four. In practice all four of the first coefficients are written with dots and the fifth introduces the bar, so the visual character of a numbered day changes as the trecena advances.

The coefficient is not a property of the day sign it accompanies. Any of the twenty signs can carry any of the thirteen numbers, and over a full 260-day round each does so exactly once, which means a sign appears with the number three once in every round and a specific numbered sign such as 3 Akbal recurs only once in 260 days.

Maya numerals are written with a dot for one and a bar for five, and the coefficient of a day is written in exactly that way in the inscriptions, set beside the day sign in its cartouche. The system is positional and includes a sign for zero, which is why the Long Count can be written as a string of places, but within the 260-day count no number above thirteen ever occurs and the notation stays simple.

Electric, the name attached to this coefficient in modern popular writing, originates with Jose Arguelles's Dreamspell of 1987. It is not a Maya term and does not appear in the Classic inscriptions, the codices, the colonial Yucatec sources or the practice of present-day daykeepers, who use the numeral.

Sources Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

Cross-Tradition Connections

Contained In

Tzolkin, Calendars

One of the thirteen numbers the count runs against the twenty day signs.

Originates in Language

Sources
1. The Maya (9th edition)
Michael D. Coe and Stephen Houston, Thames and Hudson, 2015ch. on Maya arithmetic, writing and the calendarView the Source
2. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006Dreamspell tone name Electric: part of Jose Arguelles's 1980s New Age system (The Mayan Factor; Dreamspell), a modern reinterpretation distinct from the traditional Maya day-count.
3. Time and the Highland Maya
Barbara Tedlock, University of New Mexico Press (revised edition), 1992Coefficient 3 (oxib') in K'iche' daykeeping; the 13-day trecena and 13x20 pairing that yields the 260-day count of the highland Guatemala ajq'ij.
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