Divinity Atlas

Sacred Correspondences
I Ching Hexagrams

The Abysmal

KAHN
Also Known As Abysmal
Kan

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Origin 1000 BCE to 350 BCE

King Wen hexagram 29, The Abysmal or Repeated Danger (Kan), is Water doubled over Water: one gorge and abyss after another, danger following danger, an image of grave and recurring peril. Yet water, though it plunges into every deep, keeps flowing and stays true to its nature, filling each pit before it moves on. It describes a time of serious danger that must be passed through by remaining sincere, calm, and consistent. Its Judgment says that if one is sincere, one has success in the heart, and whatever one does succeeds: the way through danger is a heart that stays true. Its Image counsels the superior person to keep their virtue constant and to practice the business of teaching, so that steadiness becomes second nature. As a reading it marks repeated hardship or risk, teaching that one comes through not by struggling wildly but by keeping faith, composure, and steady, water-like persistence.

Facts
Origins
Origin Period
1000 BCE to 350 BCE 1Tradition: Zhou Yi, the Western Zhou divination core
Origin Period
1924 to 1950 2Tradition: Wilhelm-Baynes I Ching (1950)
Origin Period
400 BCE to 100 BCE 3Tradition: Zhou Yi and the Ten Wings
Origin Period
This hexagram's dating spans three distinct historical layers: the divinatory judgment text of the Zhouyi core, composed in the early Western Zhou around 1000 BCE and recovered in the Mawangdui silk manuscripts; the Ten Wings commentary tradition that gave the hexagrams their later philosophical reading, compiled across the Warring States and Han periods by around 400 BCE; and the English title used here, coined in Richard Wilhelm's 1924 German translation and carried into English by Cary Baynes. 2
Attributed Author / Compiler
By tradition: the hexagram statements to King Wen of Zhou, the line statements to the Duke of Zhou, and the Ten Wings to Confucius. 3Tradition: Zhou Yi and the Ten Wings
Attributed Author / Compiler
No named author. The core is a Western Zhou compilation with no compiler on record, and the ascription of the Ten Wings to Confucius was already being questioned inside the Chinese tradition by the eleventh century and is defended by no current scholarship. 3
Language
Classical Chinese 4
Attestation
Meaning in the Attesting Source
Kan as a pit or hole in the ground, of the kind a person or an animal falls into. The line texts speak of a pit within a pit, of being bound with cords and set among thorns, and of obtaining nothing for three years: the vocabulary of capture, not of the void. 4Tradition: Zhou Yi, the Western Zhou divination core
Meaning in the Attesting Source
The Abysmal. In English this suggests depth, dread and the sublime, and the Ten Wings build the figure into a teaching about danger met with sincerity. 5Tradition: Wilhelm-Baynes I Ching (1950)
Identity
King Wen Number
29 1
Native Name
Kan 1
Attributions
Trigram Pairing
Water over Water 1
Order
Position in the Sequence
29 2Tradition: King Wen sequence, the received order
Position in the Sequence
46 2Tradition: Xiantian (Earlier Heaven) arrangement of Shao Yong
Learn More
A Pit, Not an Abyss

Hexagram 29 is the doubled water trigram, and its name, Kan, is one of the places where the received English translation has drifted a long way from the underlying word.

Wilhelm gives The Abysmal, which in English suggests depth, dread and something close to the sublime. The character more plainly means a pit or a hole in the ground, something dug, or fallen into, of the kind a person or an animal could be trapped in. Legge is closer to that. Later translators working from the Bronze Age material generally render it as pit, and read the hexagram as being about literal traps and holes before it is about anything metaphysical.

The line texts support the flatter reading. They speak of falling into a pit within a pit, of a pit not being filled, of being bound with cords and placed among thorns, and of not obtaining anything for three years. This is the vocabulary of capture and imprisonment, not of the void.

That does not make the deeper reading illegitimate. The Ten Wings and the whole subsequent tradition built the hexagram into a teaching about danger met with sincerity, and Wilhelm's rendering carries that beautifully. But it is a construction on top of a much more concrete original, and readers should know which they are quoting.

The doubled trigrams, hexagrams 1, 2, 29, 30, 51 and 52, are the six figures made of one trigram repeated, and they are given a special weight throughout the commentarial tradition for that reason. In each case the figure is taken to show its trigram's nature undiluted, which for water means danger with nothing to offset it.

Danger That Repeats

The practical reading of hexagram 29 turns on the doubling. This is not one danger; it is the same danger arriving again, and the hexagram's counsel is shaped by that.

The received advice is to remain sincere, to keep the heart constant, and to move as water moves, filling each hollow before flowing on, never skipping a stage, never forcing a passage. The Image in the Ten Wings tells the superior person to keep their virtue constant and to practise the business of teaching, so that steadiness becomes habitual before it is needed. That is an argument about preparation rather than about response, and it is one of the more useful things the commentary contributes.

In practice the figure is read for a period of recurring difficulty in which the querent's situation is genuinely constrained. The characteristic error is trying to leap the obstacle. The characteristic correct action is filling the hole: doing the whole of the tedious thing in front of them before attempting to move.

The fourth line is the one most often quoted in reading, and it is oddly domestic: a jug of wine, a bowl of rice, earthenware vessels handed in simply through the window. Wilhelm reads it as an offering made without ceremony because ceremony is not possible. Whatever it originally recorded, it reads as a description of what people actually do for each other in a bad stretch, and it is the warmest passage in an otherwise bleak hexagram. Whether that warmth was intended or is something readers have supplied is exactly the kind of question this text does not answer.

Cross-Tradition Connections

Corresponds To

Channel of Discovery bridges Hexagram 29, The Abysmal, and Hexagram 46, Pushing Upward, per its own iching-correspondence fact; this edge names the 29 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Human Design Gate 29, Committed Perseverance, corresponds to Hexagram 29, The Abysmal, per its own iching-correspondence fact.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Gene Key 29, From Half Heartedness to Devotion, corresponds to Hexagram 29, The Abysmal, per its own iching-correspondence fact.

Disciplines That Use This

I Ching, Disciplines

The sixty four hexagrams of the Zhou Yi.

Source Zhouyi: The Book of ChangesRichard Rutt (trans.)

Originates in Language

Source Zhouyi: The Book of ChangesRichard Rutt (trans.)

Reached by Changing Lines

Sources
1. I Ching: The Classic of Changes, translated with an introduction and commentary, the first English translation of the newly discovered second-century BC Mawangdui texts
Edward L. Shaughnessy (trans.), Ballantine Books, 1996On the dating and composition of the Zhou Yi core
2. Fathoming the Cosmos and Ordering the World: The Yijing (I Ching, or Classic of Changes) and Its Evolution in China
Richard J. Smith, University of Virginia Press, 2008On Shao Yong's xiantian ordering of the sixty-four hexagramsView the Source
3. The Five "Confucian" Classics
Michael Nylan, Yale University Press, 2001On the authorship question and the critique of the traditional ascriptionsView the Source
4. Zhouyi: The Book of Changes
Richard Rutt (trans.), Curzon Press, 1996On Kan read as a pit rather than an abyssView the Source
5. The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980Hexagram 29, the Judgement, the Image and the line textsView the Source
The Sacred Books of the East, Volume XVI: The Yi King
James Legge (trans.), Clarendon Press, Oxford, 1882Legge's rendering of the twenty-ninth hexagramView the Source

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