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Enuma Elish

Creation Myths

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The Babylonian creation epic, named for its opening words "when on high," recorded on seven tablets and recited at the Babylonian New Year festival. It tells how the god Marduk kills the chaos-dragon Tiamat, splits her body to form heaven and earth, and fashions humankind from the blood of her executed general Kingu to serve the gods. The poem closes by proclaiming Marduk king of the gods and cataloguing his fifty names.

Facts
History
Historical Note
As proof he deserves the kingship the assembled gods have just granted him, Marduk is set a test before the battle with Tiamat: the gods lay a garment before him and ask him to make it vanish by spoken word alone, then reappear the same way, which he does. 1
Historical Note
Before Marduk's battle with Tiamat, the epic recounts an earlier killing: the god Ea slays Apsu, the primordial freshwater god, using magic while Apsu sleeps, and builds his own dwelling upon the body. 1
Historical Note
The poem was not only a literary text but a liturgical one: it was recited in its entirety on the fourth day of the Babylonian New Year festival, the Akitu, as part of the ritual re-enactment of Marduk's victory and the yearly renewal of cosmic order. 1
Meaning
Central Motif
Chaoskampf: storm god defeats a chaos-sea or dragon 1
Scholarship and Forensics
Scholarly Note
Assyriologists read the poem's list of Marduk's fifty names at its close as a deliberate absorption of other gods' identities and epithets into his own, a theological program asserting his supremacy over the whole pantheon rather than a mere catalogue. 1
Scholarly Note
The poem opens before any of the familiar gods exist, describing only the primordial mingling of the fresh waters of Apsu and the salt waters of Tiamat, whose union produces the first generation of deities, so that Marduk's later kingship is presented as the culmination of several prior divine generations rather than an immediate event. 1
Text
Source Text
Enuma Elish, seven tablets, translated in Dalley 2000 1
Controversy
Point in Dispute
Assyriologists debate how directly the poem depends on earlier Sumerian and Akkadian tradition, and how far Marduk's exaltation reflects specifically Babylonian political theology asserting Babylon's supremacy over the older cult center of Nippur rather than inherited cosmology alone. 1
Sources
Primary Source
The standard seven-tablet text is reconstructed from cuneiform copies recovered chiefly from the library of the Assyrian king Ashurbanipal at Nineveh, supplemented by other Babylonian and Assyrian fragments, none forming a single complete original manuscript. 1
Learn More
Marduk's War Against Tiamat

Before heaven or earth existed, the epic relates, only Apsu, the sweet primordial waters, and Tiamat, the salt sea, mingled their waters together, and from that mingling the first gods were born. As more generations of gods came into being, their noise and movement disturbed Apsu's rest, and he resolved with his vizier Mummu to destroy them. The god Ea learned of the plot, cast a spell to put Apsu into a deep sleep, and killed him, then built his own dwelling on Apsu's body, where his son Marduk was born.

Tiamat, urged on by the surviving gods and enraged at Apsu's death, gathers an army of monstrous serpents and scorpion-men, raises her new consort Kingu to command it, and gives him the Tablet of Destinies, which confers supreme authority. No god dares face her until Marduk agrees to fight on the condition that he be proclaimed king of the gods beforehand. Riding a storm-chariot and armed with winds, a net, and a bow, Marduk corners Tiamat, drives an evil wind into her opened mouth to hold her still, and kills her with an arrow through her belly. He then splits her enormous corpse in two, raising one half as the sky and setting the other as the earth, fixes the stars and the calendar in the vault above, and from the blood of the executed Kingu fashions humankind to labor in the gods' place.

The Akitu Festival and Marduk's Fifty Names

Enuma Elish, When on High in its opening words, survives on seven cuneiform tablets and was recited each year during the Babylonian New Year festival, the Akitu, as part of ceremonies that renewed Marduk's kingship and, with it, the king of Babylon's own authority for the coming year; a priest is thought to have recited the whole poem before the god's statue. Its composition is usually dated to sometime in the second millennium BCE, most likely under the Babylonian king Nebuchadnezzar I, when Marduk's promotion to head of the pantheon reflected Babylon's own rise as a political power, elevating a relatively minor city god to cosmic king by rewriting older Sumerian creation traditions around him.

The poem closes with the assembled gods building Marduk's great temple Esagila and the city of Babylon itself as his residence, and then reciting his fifty honorific names, each drawn from and absorbing the attributes of an earlier god, a closing catalogue scholars read as a deliberate act of theological consolidation, folding the wider pantheon's powers into Marduk alone. The Tiamat and Marduk conflict is the standard comparative example of the Chaoskampf pattern, the battle between a storm or sky god and a chaos-serpent or sea, found in cognate form across the ancient Near East and beyond.

Cross-Tradition Connections

Associated With

Attests

The Tablet's own tradition-membership fact and both its Learn More articles describe its role in the Enuma Elish in detail (Marduk takes it from Kingu's corpse and seals it as proof cosmic kingship has passed to him); matches the identical Attested In edge already carried by Marduk, Tiamat and Apsu.

Belongs to Tradition

Originated In

Related To

Priests recited the Enuma Elish, the Babylonian creation epic, before Marduk's statue during Akitu.

Source Babylonian Creation MythsW. G. Lambert

The myth registration (this entity) and the other-writing registration are the narrative and the textual-critical halves of the same composition, not duplicate entries; this tie lets a reader move between them.

The same pattern of a chaos-sea subdued at the founding of the world

Sources
1. Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others
Stephanie Dalley, Oxford University Press, 2000View the Source
Ancient Mesopotamian Gods and Goddesses
Nicole Brisch (ed.), Oracc / Open Richly Annotated Cuneiform Corpus, University of Pennsylvania, 2011View the Source
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