Divinity Atlas

Sacred Correspondences
Sacred Sites

The Nazca Lines

the NAHZ-kah lynz
Also Known As Nazca Lines
Nazca Sites

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Origin 100 BCE to 700 CE

An enormous array of geoglyphs etched into the desert floor, depicting animals, plants, and geometric figures on a scale only fully legible from the air. Their purpose is debated, ranging from astronomical calendars to ritual pathways and offerings to water deities. They are among the most enigmatic monuments of the ancient Americas.

Facts
Site
Type of Site
Geoglyph or ground marking 1
Type of Site Detail
In September 2024 researchers from Yamagata University working with IBM used AI assisted analysis of aerial imagery to identify more than three hundred previously unrecorded geoglyphs across the pampa, most far smaller than the famous animal figures and invisible from the ground, nearly doubling the number of known designs in a single announced season. The mathematician Maria Reiche spent decades from the 1940s onward surveying and physically guarding the lines from vehicle traffic, work credited with securing the site's later UNESCO recognition and legal protection. 1
Geography
Latitude
14.7 degrees south 3
Approximate reference point, rounded to one decimal place; this marks the site's general location for a map, not a survey-grade or precise boundary measurement.
Longitude
75.1 degrees west 3
Approximate reference point, rounded to one decimal place; this marks the site's general location for a map, not a survey-grade or precise boundary measurement.
Attributions
Tradition
Nazca 2
Origins
Origin Period
100 BCE to 700 CE 1
Country
Peru 2
Region
The Andes 2
Status
Status Today
Ruin or archaeological site; the cult has ceased 1
UNESCO World Heritage
Inscribed on the World Heritage List 2
Lines and Geoglyphs of Nasca and Palpa, inscribed 1994
Location
Location of The Nazca Lines Afghanistan Albania Algeria Angola Argentina Armenia Australia Austria Azerbaijan Bahrain Bangladesh Barbados Belarus Belgium Benin Bhutan Bolivia Bosnia and Herzegovina Botswana Brazil Bulgaria Burkina Faso Burundi Cabo Verde Cambodia Cameroon Canada Chile China Colombia Costa Rica Croatia Cuba Cyprus Czech Republic Democratic Republic of the Congo Denmark Dominican Republic Ecuador Egypt El Salvador Estonia Eswatini Ethiopia Federated States of Micronesia Fiji Finland France French Polynesia Gabon Georgia Germany Ghana Greece Guam Guatemala Haiti Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Ivory Coast Jamaica Japan Jordan Kazakhstan Kenya Kuwait Laos Latvia Lebanon Libya Lithuania Madagascar Malawi Malaysia Mali Malta Mauritius Mexico Moldova Mongolia Morocco Mozambique Myanmar Namibia Nepal Netherlands New Zealand Nigeria North Macedonia Norway Oman Pakistan Palestine Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Saint Vincent and the Grenadines Samoa Saudi Arabia Senegal Serbia Sierra Leone Singapore Slovakia Slovenia Solomon Islands South Africa South Korea South Sudan Spain Sri Lanka Sudan Suriname Sweden Switzerland Syria Taiwan Tanzania Thailand Tonga Trinidad and Tobago Tunisia Turkey Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Yemen Zambia Zimbabwe
Learn More
Enormous Drawings Meant to Be Walked, Not Seen

The Nazca Lines are a vast field of designs scraped into the desert of southern Peru, so large that their forms are fully legible only from the air, which has made them both famous and misunderstood.

How they were made

The lines were created by the Nazca culture, and in part the earlier Paracas, mainly between about 500 BCE and 500 CE, by removing the dark oxidised stones of the desert surface to expose the pale ground beneath. Because this coastal desert is among the driest and stillest places on earth, the shallow marks have survived for two thousand years. They range from long straight lines and geometric figures, trapezoids and spirals, to biomorphic drawings of a hummingbird, monkey, spider, condor and other creatures, some hundreds of metres across.

What they were for

Their purpose is debated but the leading interpretations are religious rather than mysterious. Many lines appear to relate to water and fertility in a desert where water was the overriding concern: some point toward sources of water or mountain deities, and the figures may have been walked in procession as ritual pathways or offerings to deities who controlled rain and springs. An older idea that the lines formed an astronomical calendar has found little statistical support. The claim, popularised in the twentieth century, that they were made by or for extraterrestrials has no evidence and is rejected by archaeology; the Nazca had the technology and the motive to make them.

Preservation

The geoglyphs are extremely fragile, and modern threats, road-building, squatting, off-road vehicles and even careless demonstrations across them, have caused damage. They are a World Heritage site, and new figures continue to be found through aerial and satellite survey, extending the known extent of one of the largest ritual landscapes of the ancient Americas.

Subtraction, Not Construction

Making a Nazca line was mostly a matter of subtraction, not construction, which is part of why fringe explanations for them have never needed to hold up.

How the lines were actually made

The Nazca desert's surface is covered in dark, oxidised stones sitting on lighter sediment beneath. Removing a strip of the dark stones exposes the pale ground underneath, creating a line that can stay visible for centuries in a region that receives almost no rain or wind erosion. Surveying tools no more advanced than stakes and cord are sufficient to lay out the straight lines and large figures, a point demonstrated experimentally, which undercuts claims that the lines required aerial viewpoints or outside assistance to design.

Reiche's decades on the ground

The German mathematician Maria Reiche spent roughly five decades from the 1940s onward surveying, mapping and personally guarding the lines, at times sweeping them by hand to keep windblown debris from obscuring them, and campaigning for their legal protection before UNESCO inscribed the site in 1994.

Damage in the present tense

The Pan-American Highway was built directly across several lines in the twentieth century. In December 2014, Greenpeace activists left permanent footprints near the hummingbird figure during a publicity display, drawing international criticism and a Peruvian prosecution, a reminder that the lines remain physically as fragile now as when Reiche started sweeping them.

Cross-Tradition Connections

Associated With

Pilgrimage, Practices

Why this is disputed. Interpretations of the lines purpose bear directly on whether pilgrimage is even the right category. Early researchers such as Maria Reiche read the geoglyphs primarily as an astronomical calendar, a function with no pilgrimage dimension at all. Later researchers including Johan Reinhard and Anthony Aveni have argued instead for ritual pathways walked in procession toward water sources, connecting the lines to fertility and water deity offerings, a reading much closer to pilgrimage in the ordinary sense. Which reading is correct remains unresolved.

Source The NascaHelaine Silverman and Donald A. Proulx

Belongs to Tradition

Source UNESCO World Heritage ListUnited Nations Educational, Scientific and Cultural Organization

Contained In

Related To

Both lie in the Andean culture area, though the Nazca geoglyphs precede the Inca by roughly a thousand years and belong to a different people.

Source The NascaHelaine Silverman and Donald A. Proulx
Sources
1. The Nasca
Helaine Silverman and Donald A. Proulx, Blackwell, 2002View the Source
2. UNESCO World Heritage List
United Nations Educational, Scientific and Cultural Organization, UNESCO World Heritage Centrefrom the site's own catalogue recordView the Source
3. Encyclopaedia Britannica (online academic reference)
Encyclopaedia Britannica editors, Encyclopaedia Britannica, Inc., 2024View the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005s.v. Geoglyphs; Andean ritual landscapesView the Source
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