Divinity Atlas

Sacred Correspondences
Tzolkin Tones

Solar

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Origin 1987 to 1990

Tone Nine is the ninth of the thirteen numbers of the Tzolkin, the 260-day Maya sacred calendar; nine was a deeply significant number to the Maya, counting the nine Lords of the Night and the nine levels of the underworld. As the number nine, it magnifies intention toward completion of a greater cycle. In the traditional count the number simply modifies its day sign, but in the modern Dreamspell system of Jose Arguelles (1987) it is named the Solar tone, expressing greater intention and pulse: the stage of intensifying purpose that pulses toward the fulfillment of the larger cycle. It is read as the moment of realizing the greater intention, gathering momentum for completion.

Facts
Origins
Origin Period
1987 to 1990 2Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
250 to 900 CE 1Tradition: Classic Maya inscriptions
Origin Period
600 BCE to 250 CE 1Tradition: Preclassic Mesoamerican inscriptions
Origin Period
Solar is the ninth of the thirteen Dreamspell tone names, but the coefficient it labels, the plain number nine running through the Tzolkin's thirteen day trecena, is genuinely ancient Maya, attested on Classic Maya monuments from 250 to 900 CE and rooted further back in Preclassic use of the day count. The name Solar carries none of that antiquity: it is one of the thirteen Galactic Tone names Jose Arguelles coined for his Dreamspell system, announced at the Harmonic Convergence of 1987 and published in worked out form in 1990. 2
Place of Origin
Mesoamerica. Among the Maya, the lowlands of the Yucatan peninsula, Guatemala, Belize and Chiapas, and the Guatemalan highlands. 1
Origin of the Name
In the living Kiche count this coefficient is simply the number nine, b'elejeb'. Daykeepers reckon by the number itself. 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
The name recorded here, Solar, is one of the thirteen Galactic Tone names coined by Jose Arguelles for the Dreamspell in 1987. It is an English coinage, not a Maya term, and the Maya count has no names for its coefficients at all. 2Tradition: Dreamspell (José Argüelles, 1987)
Language
Kiche Maya 3
Language
English 2
Identity
Position
9 of 13 1
Meaning
Themes
Intention, greater cycles 1
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1Tradition: Classic Maya inscriptions
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 2Tradition: Dreamspell (José Argüelles, 1987)
Status Today
Living tradition, practised today 3
Attestation
Meaning in the Attesting Source
The coefficient is the number nine running against the twenty day signs, and it is the day nine of the thirteen-day trecena the day sign opens. It carries no name. 3Tradition: Highland Maya daykeeping in Guatemala
Contested Use
Contested or Appropriated Modern Use
This page's own title is the Dreamspell tone name Solar, and the keyword beside it is the Dreamspell keyword. Both belong to a system devised in 1987 and neither is Maya; the Maya coefficient is the bare number nine. 2
Learn More
The Ninth Tone of the Tzolk'in

This is the ninth of the thirteen numbers, or tones, that combine with the twenty day signs to form the 260-day Tzolk'in. In living Maya daykeeping the coefficient is simply the number nine, b'elejeb', a number strongly associated with the nine lords of the night and the levels of the underworld, and often felt as a day of the ancestors and of greater cycles. The name recorded here, Solar, and its keyword of intention belong to the modern Dreamspell system of Jose Arguelles, a New Age overlay from the 1980s that is distinct from the Maya count and not part of traditional daykeeping. The daykeepers reckon by the number itself. The authentic element is the coefficient nine and its role in the interlocking of thirteen numbers with twenty day signs that produces the 260 unique days of the sacred count.

The ninth of the thirteen numbers that combine with the twenty day signs to generate the Tzolk'in's 260-day count, marking the ninth day of its trecena. Nine carries its own separate cosmological association in Maya tradition, corresponding in some colonial and epigraphic sources to the nine levels of the underworld, Xibalba, paired with the thirteen levels of the heavens in a cosmological structure distinct from, though sometimes loosely associated with, the Tzolk'in's own thirteen-number count; the Bolon Yokte K'uh, a group of nine deities attested in Classic inscriptions including the much-discussed Tortuguero Monument 6, is one specific attested reference point for the number nine's independent religious significance.

Sources Time and the Highland MayaBarbara Tedlock with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

The Coefficient Nine in the Count

Nine is written as a bar and four dots, the last coefficient before the second bar appears at ten. Nine has a distinct presence in Classic Maya date recording: the supplementary series that follows the Tzolk'in day in a full Initial Series includes a glyph from a set of nine, cycling every nine days, which epigraphers label G1 through G9 and identify with the Lords of the Night.

That nine-day cycle runs alongside the 260-day and 365-day counts as a third independent period, and colonial Yucatec sources name a group of nine deities, the Bolon Ti Ku, against a group of thirteen, the Oxlahun Ti Ku. Nine is also the number of levels commonly given for the underworld in Postclassic Mesoamerican cosmology.

Maya numerals are written with a dot for one and a bar for five, and the coefficient of a day is written in exactly that way in the inscriptions, set beside the day sign in its cartouche. The system is positional and includes a sign for zero, which is why the Long Count can be written as a string of places, but within the 260-day count no number above thirteen ever occurs and the notation stays simple.

Solar, the modern name for this coefficient, belongs to Jose Arguelles's Dreamspell of 1987 and not to any of this material. The Lords of the Night are a genuine and separate Maya cycle; the Dreamspell tone names are a twentieth-century overlay on the coefficients, and the two have nothing to do with each other.

Sources Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

Cross-Tradition Connections

Contained In

Tzolkin, Calendars

One of the thirteen numbers the count runs against the twenty day signs.

Originates in Language

Sources
1. The Maya (9th edition)
Michael D. Coe and Stephen Houston, Thames and Hudson, 2015ch. on Maya arithmetic, writing and the calendarView the Source
2. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006Dreamspell tone name Solar: part of Jose Arguelles's 1980s New Age system (The Mayan Factor; Dreamspell), a modern reinterpretation distinct from the traditional Maya day-count.
3. Time and the Highland Maya
Barbara Tedlock, University of New Mexico Press (revised edition), 1992Coefficient 9 (b'elejeb') in K'iche' daykeeping; the 13-day trecena and 13x20 pairing that yields the 260-day count of the highland Guatemala ajq'ij.
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