Divinity Atlas

Sacred Correspondences
I Ching Hexagrams

Inner Truth

jong FOO
Zhong Fu

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Origin 1000 BCE to 350 BCE

King Wen hexagram 61, Inner Truth (Zhong Fu), places Wind above the Lake: the wind stirring the surface of the lake and penetrating it, an image of an inner sincerity that reaches and moves even what seems impervious. Its very shape, firm lines without and two yielding lines forming an open center within, pictures a heart free of prejudice and full of truth. It describes the power of inner truth and confidence to influence others. Its Judgment gives the image that inner truth moves even pigs and fishes, the most unresponsive of creatures, and says it furthers one to cross the great water and that perseverance furthers: sincerity can win over the hardest cases and carry one through danger. Its Image counsels the superior person to discuss criminal cases and delay executions, judging with heartfelt understanding. As a reading it teaches that genuine, selfless sincerity is a force that reaches and transforms others.

Facts
Origins
Origin Period
1000 BCE to 350 BCE 1Tradition: Zhou Yi, the Western Zhou divination core
Origin Period
1924 to 1950 2Tradition: Wilhelm-Baynes I Ching (1950)
Origin Period
400 BCE to 100 BCE 3Tradition: Zhou Yi and the Ten Wings
Origin Period
This hexagram's dating spans three distinct historical layers: the divinatory judgment text of the Zhouyi core, composed in the early Western Zhou around 1000 BCE and recovered in the Mawangdui silk manuscripts; the Ten Wings commentary tradition that gave the hexagrams their later philosophical reading, compiled across the Warring States and Han periods by around 400 BCE; and the English title used here, coined in Richard Wilhelm's 1924 German translation and carried into English by Cary Baynes. 2
Attributed Author / Compiler
By tradition: the hexagram statements to King Wen of Zhou, the line statements to the Duke of Zhou, and the Ten Wings to Confucius. 3Tradition: Zhou Yi and the Ten Wings
Attributed Author / Compiler
No named author. The core is a Western Zhou compilation with no compiler on record, and the ascription of the Ten Wings to Confucius was already being questioned inside the Chinese tradition by the eleventh century and is defended by no current scholarship. 3
Language
Classical Chinese 4
Identity
King Wen Number
61 1
Native Name
Zhong Fu 1
Attributions
Trigram Pairing
Wind over Lake 1
Order
Position in the Sequence
13 2Tradition: Xiantian (Earlier Heaven) arrangement of Shao Yong
Position in the Sequence
61 2Tradition: King Wen sequence, the received order
Learn More
The Trigrams and the Name

The sixty-first hexagram, Zhong Fu ("Inner Truth"), places Xun (Wind) above Dui (Lake). Wind moving over the lake and stirring its surface gives the image of an influence reaching to the depths, with two open lines at the center suggesting a heart free of prejudice, open and sincere. It follows Limitation in the King Wen order.

Zhong Fu stands 13th of 64 in the xiantian, or Earlier Heaven, arrangement, the binary ordering devised by Shao Yong in the eleventh century and ascribed to Fu Xi, distinct from its sixty-first place, near the very end of the King Wen sequence traced above. This was the arrangement Joachim Bouvet, a Jesuit in Beijing, sent to Gottfried Wilhelm Leibniz in 1701, letting Leibniz read its broken and unbroken lines as his own binary 0 and 1.

Read from the bottom, the six lines of Inner Truth run yang, yang, yin, yin, yang, yang. A later interpretive layer absent from the original Zhou Yi, the nuclear hexagram (hu gua), treats lines two through four as a lower trigram and lines three through five as an upper one; here they combine as Gen over Zhen, forming hexagram 27, Nourishment (Yi), a hidden figure first associated with the Han-dynasty scholar Jing Fang, whose Yijing commentary of the first century BCE is credited with the earliest appearance of nuclear trigrams. Inner Truth's King Wen partner is hexagram 62, Small Preponderance (Xiao Guo); most of the sixty-four pair this way, related by turning the whole figure upside down, while the eight hexagrams built from a single doubled trigram pair instead by inverting every line. Mawangdui (1973) orders hexagrams by trigram, not King Wen; names here follow Wilhelm and Baynes, 1950, not Legge, 1882.

The Judgment, the Image, and the Changing Lines

The Judgment, in paraphrase, holds that inner truth reaches even to pigs and fishes, the least responsive of creatures, and so brings good fortune; it favors crossing the great water and rewards perseverance, for sincerity at the center wins even the difficult. The Image speaks of the superior person who deliberates criminal cases and delays executions, tempering judgment with compassion. The core theme is inner sincerity and confidence that, being genuine, moves others. Moving lines transform into their opposites, generating a second hexagram that shades the reading.

Zhu Xi's twelfth-century Zhouyi Benyi, the Song Neo-Confucian synthesis most later readers encountered Zhong Fu through, treated the Judgment above first as a divination formula and only secondarily as moral instruction, a corrective to Cheng Yi's more purely philosophical Yichuan Yizhuan. The Mawangdui silk manuscript, recovered from a sealed Han tomb in 1973 and dated before 168 BCE, preserves closely related material in a wholly different sequence, organized by paired trigrams rather than the King Wen order, evidence that the hexagram texts still circulated in more than one arrangement this late. In the King Wen sequence, Inner Truth (Zhong Fu), hexagram 61, cannot be paired by inversion, since turning it upside down reproduces the identical figure; instead it is paired by opposition, every line reversed, with Small Preponderance (Xiao Guo), hexagram 62. James Legge's more literal 1882 translation for the Sacred Books of the East reads such passages closer to a historical record than the mystical cast Richard Wilhelm's 1924 German version, carried into English by Cary Baynes in 1950, gave most twentieth-century readers.

Cross-Tradition Connections

Corresponds To

Channel of Awareness bridges Hexagram 24, Return, and Hexagram 61, Inner Truth, per its own iching-correspondence fact; this edge names the 61 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Gene Key 61, From Psychosis to Sanctity, corresponds to Hexagram 61, Inner Truth, per its own iching-correspondence fact.

Human Design Gate 61, Inner Mystery, corresponds to Hexagram 61, Inner Truth, per its own iching-correspondence fact.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Disciplines That Use This

I Ching, Disciplines

The sixty four hexagrams of the Zhou Yi.

Source Zhouyi: The Book of ChangesRichard Rutt (trans.)

Originates in Language

Source Zhouyi: The Book of ChangesRichard Rutt (trans.)

Reached by Changing Lines

Sources
1. I Ching: The Classic of Changes, translated with an introduction and commentary, the first English translation of the newly discovered second-century BC Mawangdui texts
Edward L. Shaughnessy (trans.), Ballantine Books, 1996On the dating and composition of the Zhou Yi core
2. Fathoming the Cosmos and Ordering the World: The Yijing (I Ching, or Classic of Changes) and Its Evolution in China
Richard J. Smith, University of Virginia Press, 2008On Shao Yong's xiantian ordering of the sixty-four hexagramsView the Source
3. The Five "Confucian" Classics
Michael Nylan, Yale University Press, 2001On the authorship question and the critique of the traditional ascriptionsView the Source
4. Zhouyi: The Book of Changes
Richard Rutt (trans.), Curzon Press, 1996On the name and early sense of hexagram 61View the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980Hexagram 61, the Judgement and the ImageView the Source

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